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champion the artistic and educational aspirations of students of all ages, and to create collaborative art that promotes conversation. Jonathan is an avid runner, singer/musician, and sports fan (Go LakeShow!)
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. "Making art in math class during the pandemic. Journal of Humanistic Mathematics." Journal of Humanistic Mathematics Vol. 11, 2021: Simic-Muller, K. "There are different ways you can be good at math”: Quantitative literacy, mathematical modeling, and reading the world." PRIMUS Vol. 29, 2019: 259-280. Simic-Muller, K. "Motherhood and teaching: Radical care." Journal of Humanistic Mathematics Vol. 8, 2019: 188-198. Accolades 2018 National Science Foundation (NSF) Grant to support "Building Capacity to
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Emre Ulusoy, Ph.D. Associate Professor Phone: 253-535-7256 Email: emre.ulusoy@plu.edu Biography Biography Dr. Emre Ulusoy is an Associate Professor of Marketing at Pacific Lutheran University in Washington, USA. He joined PLU in 2022. He earned his PhD in Marketing from the University of Texas – Rio Grande Valley in 2013. Prior to joining PLU, he worked as an Assistant Professor for five years and as an Associate Professor for four years at Youngstown State University. Dr. Emre Ulusoy has
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University of Virginia. One of the most active performers in the Puget Sound, Dr. Rønning serves as Concertmaster of Symphony Tacoma, as well as performing frequently as soloist, recitalist, chamber musician and recording artist. He is also Artistic Director of the Second City Chamber Series, Tacoma’s award winning producer of chamber music concerts and chamber music educational programs. Additional activities have included period instrument performance with the Puget Sound Consort, Tacoma’s ensemble for
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-Century Gender Studies Vol. 6.2, 2010: "'Sir, It is an Outrage': George Bentley, Robert Black, and the Condition of the Mid-List Author in Victorian Britain." Book History Vol. 10, 2007: "'At All Times Conspicuous as Art': Henry James, Margaret Oliphant, and Resistance to Decadence." Henry James Against the Aesthetic Movement 2006: "Expanding a 'Limited Orbit': Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review Vol. 38.2, 2005: "Of
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. He tirelessly taught field camp over a thirty-year period in the Cascade Mountains near White Pass. While this program was designed for PLU students, he often had students from various universities around the country. During the five weeks each summer, he challenged students to keep up with him as he enthusiastically drove one lane roads and scrambled up the hillsides in search of outcrops. Even after having two hip replacements, he could still out climb the undergraduates and even those who
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: 190–197. "Making Friends, Practicing Equality: The Correspondence of Elisabeth of Bohemia and René Descartes." Men and Women Making Friends in Early Modern France, Routledge 2015: 161-87. "Essaying the Mechanical Hypothesis: Descartes, La Forge, and Malebranche on the Formation of Birthmarks." Early Science and Medicine: A Journal for the Study of Science, Technology and Medicine in the Pre-Modern Period Vol. 13:6, 2008: 533-67. "Descartes, Individualism, and the Fetal Subject." d i f f e r e n c
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studies, such as: “Was the Galilean Economy Oppressive or Prosperous? Socio-Archaeology and Dimensions of Exploitation in First-Century Palestine” (2014); “Execrating? or Execrable Peasants!” (2013); “The Shape of Power and Political-Economy in Herodian Galilee,” Liberating Biblical Study: Scholarship, Art, and Action in Honor of the Center and Library for the Bible and Social Justice” (2011); “The Perennial Relevance of St. Paul”; and “The Radical Jesus: You Cannot Serve God and Mammon” (2004
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-renowned community of early music specialists in concerts and operas at Seattle’s Town Hall, St. James Cathedral, Intiman Theatre and the Moore Theatre. James sang in Il Ritorno d’Ulisse in Patria with Tony award winners Handspring Puppet Company with music direction by Stephen Stubbs and stage direction by internationally celebrated artist William Kentridge at Seattle’s Moore Theatre and in San Francisco (as part of a retrospective of Kentridge’s artistic work for the Museum of Modern Art). James has
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simply helping people discover what they already knew. I finally came to understand that’s what teaching creative writing is. My job as a writing mentor is to bring the toolbox, both literal and metaphorical. It might include kitchen utensils, glue stick and scissors, postcards, advertisements, original works of art, bottled scents, raw vegetables, or items from a recycle bin or thrift shop. It includes world literature, direct engagement with working writers, and concepts borrowed from linguistics
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