Search

violin performance in 1989. He then earned degrees from Yale University — a Master of Music and a Doctor of Musical Arts — studying under Syoko Aki, Sidney Harth and Jaap Schroder. Rønning serves as concertmaster of the Tacoma Symphony Orchestra, as well as artistic director of the Second City Chamber Series. He previously served as concertmaster of various orchestras, including the Charlottesville Symphony, the San Jose Symphony, the Spoleto U.S.A. and the Tacoma Opera Orchestra. As soloist, he

her studying away during her sophomore year and including her senior recital that begins in just about an hour! – and won the Student Soloist competition last year, performing one of the most fearsomely difficult violin concertos – the Violin Concerto by Erich Korngold. She is a perfect example of PLU’s incredible institutional commitment to the arts, linking them firmly to the liberal arts and international education, and making all of these opportunities available for every student at PLU

’93 Chair, Board of Regents Room for Redemption Resilient PLU grad Tarra Simmons ’00 practices law post-conviction and advocates for progress in the criminal justice system. Build It and They Will Come A generous donation from Dave ’68 and Chris ’68 Schoening, in honor of their late son Nate Schoening ’01, established a resource-rich campus hub to support students. Korine Fujiwara Violin Lecturer Korine Fujiwara’s opera, “The Flood,” tells the story of a 1913 natural disaster and how it

violin lecturer wears more hats than a British royal: in-demand violinist and violist, co-founder of the ground-breaking Carpe Diem String Quartet, teacher, composer. She’s been invited to play at festivals from Aspen to Lincoln Center and in chamber groups throughout the U.S. With commissions rolling in, she has been listed as one of “25 contemporary composers to watch” by Strings Magazine. For Fujiwara, success is less about prime gigs and good reviews, and more about sharing music. We managed to

epitome of musical success. The PLU violin lecturer wears more hats than a British royal: in-demand violinist and violist, co-founder of the ground-breaking Carpe Diem String Quartet, teacher, composer. She’s been invited to play at festivals from Aspen to Lincoln Center and in chamber groups throughout the U.S. With commissions rolling in, she has been listed as one of “25 contemporary composers to watch” by Strings Magazine. For Fujiwara, success is less about prime gigs and good reviews, and more

required. Students register in 204A for 1 hour; 204B for 2 hours; 204C for 3 or 4 hours. (1 to 4) MUSI 205 : Private Instruction: Violin/Viola - CX Private instruction for Violin/Viola. Special fee in addition to tuition. Concurrent registration in MUSI 199 required. Students register in 205A for 1 hour; 205B for 2 hours; 205C for 3 or 4 hours. (1 to 4) MUSI 206 : Private Instruction: Cello/Bass - CX Private Instruction for Cello/Bass. Special fee in addition to tuition. Concurrent registration in MUSI

in society and its relationship to the other arts, presented in the context of an historical and cultural survey of Western Music with some examinations of world music. “The Arts in Society: The Red Violin” will accomplish this by giving a special emphasis to string music in the Western tradition and string music in other-‐than-‐Western cultures. Students will be introduced to historical terminology used for music and the arts, learn to recognize the stylistic characteristics of different musical

. The APO One-Act Play Festival: 
Does It Make a Sound?
 Act Without Words I, by Samuel Beckett. Directed by Jonathan Lee ‘09. Breakthrough: A Musical Revue. Directed by Erin K. Dorn ‘10. Heliocentric, by Dylan Twiner ‘10. Directed by Kirsten Helland ‘10. Vpstart Crow Presents: No Exit, by Jean-Paul Sartre. Directed by Bradley Stieger ‘09.  
The First Warning, by August Strindberg. Directed by Laura Barnes ‘09. Last Waltz on a Midnight Violin. Written and Directed by Niclas R. Olson ‘09. Not Your

Stieger ‘09.  
The First Warning, by August Strindberg. Directed by Laura Barnes ‘09. Last Waltz on a Midnight Violin. Written and Directed by Niclas R. Olson ‘09. Not Your Grandma’s Showtunes 4: A Musical Theatre Cabaret Showcase.

 Numerous Clay Crows Improvisation Events.2007-2008Mainstage Productions
Rosencrantz and Guildenstern Are Dead, by Tom Stoppard. Directed by Tristan Morris ‘08. The Illusion, by Pierre Corneille, Freely Adapted by Tony Kushner. Directed by Professor Brian Desmond. Dance

All Courses AICE 276 : Part-Time Internship A supervised educational experience in a work setting on