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thrown away and found at surplus. We kept that machine until 2000 when the university purchased a brand new color processor, which we used until my sabbatical in 2016.” “My students went on to became artists, filmmakers, creative directors in advertising, special effects artists, curators, creators of games, and college teachers. Many became photographers. I am fortunate to call my past students colleagues and friends”. Geller continued her photography outside of the classroom. Geller’s work has been

experiences to design major in innovation studies Read Next COMA 248 Upcoming Workshop: A Special Session with Professor Jasinski LATEST POSTS INOV 350: Innovation Seminar in Spring 2025 November 21, 2024 Have you considered an Innovation Studies minor? September 16, 2024 COMA 248 Upcoming Workshop: A Special Session with Professor Jasinski September 12, 2024 Heven Ambachew ’24 combines her passions and experiences to design major in innovation studies June 7, 2024

program with Carrington in a special preview concert on Wednesday, November 11, at 8pm in Lagerquist Concert Hall. Carrington is known as one of the founding members of the vocal ensemble, “The Kings Singers,” and is professor emeritus from Yale University where he conducted the acclaimed Yale Schola Cantorum. Carrington is in great demand as a freelance conductor and choral educator, and will be the headline clinician at the NCCO conference. “Simon Carrington is among the best in the world at his

opportunities, adventures and challenges, I have grown more than I can possibly recognize. I was supported and encouraged in all that I aspired to do. I honestly feel that PLU’s values of inquiry, leadership, service and care have become engrained in my spirit and I know that this experience, this education in life, will greatly shape my future. My next chapter: I am moving to Washington D.C. in August to live with my sister. I plan to spend one to three years there, seeking work experience and new

dive into difficult conversations about race relations in the United States.“The consciousness of this country is shifting,” says Cunningham, who works in the PLU Campus Ministry office and partners with the university’s Center for Graduate and Continuing Education to produce People’s Gathering events. “Where we are right now in our nation’s history and our national rhetoric, we need to learn how to talk about race. Most of us learn about race on our own, and that can be really difficult.” Each

, to walking across the stage in Olson Auditorium at her Spanaway Lake High School graduation. Kreis has thrived in the community for years, and now she serves as the business outreach director in PLU’s School of Business. “Working at PLU feels so natural and fitting, a sort of coming home feeling,” says Kreis. “There’s definitely a strong pull to serve the community that gave me so much support at an early formative age.” In January of 2022, Dr. Mark Mulder, dean of the PLU School of Business

society, and structural inequalities, just to name a few concerns.   PLU’s approach to social innovation is interdisciplinary, and it draws on strengths within the Lutheran tradition of higher education and curriculum featuring eleven different departments and schools. We look for and create connections between traditional liberal arts programs, the technical fields, and the professional schools. A recent Peace Day celebration at PLU asked students what they would change in the world. (John Froschauer

fact a deep part of cultural identity—both personal and societal,” said Dr. Youtz. This course introduces students to the role of music (and allied art forms) in Trinidadian history and culture, and the ways that education promotes both unity and diversity of cultural expression. Trinidad is a post-colonial society with heritage communities from Africa, India, China, Venezuela, Portugal, Lebanon, France and England. Carnival music and masquerade were expressions of creative resistance by enslaved

student choreographers include Avelon Ragoonanan, Elizabeth Maloney, Kelsey Roberts, Helen Garman and Miranda Winter. The guest choreographer is Carla Barragan. She has choreographed a modern work based on a tale from the First Nations Peoples of the Pacific Northwest, entitled Raven and The Man That Sits on the Tides. Barragan received her MA in dance education from Teachers College Columbia University in New York and her BFA in dance from SUNY Purchase in New York. In 1990, Barragan launched her

is sponsored by PLU’s Holocaust and Genocide Studies minor, which includes the Kurt Mayer Endowed Chair in Holocaust Studies and the annual Powell-Heller Conference for Holocaust Education. (In Fall 2014, PLU became one of only a handful of universities nationwide to offer a minor in Holocaust and Genocide Studies.) The debaters’ visit follows PLU’s October 2014 standing-room-only screening of Sweet Dreams, a documentary about Rwandan women working to rebuild their lives in the wake of the 1994