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  • raised in the Inland Northwest of Washington State. After crossing the Cascades, she began working toward a double major in studio art and English literature at Pacific Lutheran University in Tacoma, WA, with the intent of becoming a secondary educator in the field of art or English. While not attending to her own education, she spent her summers away from college teaching preschool and elementary school aged children ne arts at the Corbin Art Center in Spokane, WA. Like the children she taught, art

  • used to educate the audience about the realities faced by unaccompanied children rather than provide entertainment value to the viewer. 4:45-5:15pm - Emily SolanLa complejidad de los retos lingüísticos en Cataluña: Un análisis sociolingüístico de la literatura catalana-marroquí / The Complexity of Linguistic Challenges in Catalonia: A Sociolinguistic Analysis of Catalan-Moroccan Literature Due to the rivalry between Castilian Spanish and Catalan, Catalonia presents unique linguistic obstacles for

  • of this unrecognized phenomenon and begin to give expression to a cohesive narrative. Kleinplatz is working with Dr. Paul Weindling to give voice to these women’s histories. “Manipulating Birth to Implement Genocide” – Beverley Chalmers Holocaust literature gives exhaustive attention to ‘direct’ means of exterminating Jews, by using gas chambers, torture, starvation, disease, and intolerable conditions in ghettos and camps, and by the Einsatzgruppen. Manipulating reproduction and sexuality –as a

  • Poets Guide to the Birds (Anhinga Press) and three collections of short nonfiction—In Short, In Brief and Short Takes—and the anthology Brief Encounter.  Her awards included an NEA fellowship in poetry, two Pushcart Prizes in nonfiction and recognition as a distinguished teacher of adults.  She had the distinction of being called—by Newsday—the Evel Knievel of literature. Wednesday, Aug. 5, 7:15 p.m. Bernard Cooper, The Judith Kitchen Visiting Writer. Cooper has written two collections of memoirs

  • cases and inspecting the detail in the cuts and tiniest pieces of type. “Every day is a new discovery,” she said. The core of the collection is Victorian, but it includes more recent additions by Pacific Northwest printers that resulted in a continuum of the history of type. “They all have stories,” Blocker said of each piece. “It’s pretty cool.” Spring said many of the typefaces date back to the era defined as “artistic printing,” marked by ornamental type, unusual compositions and quirky

  • analysis of findings. Students demonstrate their mastery of the field by relating their research to the existing body of sociological literature and knowledge. Required for senior majors. Prerequisites: SOCI 496 or SOCI 413. (4)

  • seven movements and represents a major contribution to modern brass quintet literature. Although Jerry’s work was premiered by a different bass quintet, this CD represents the world premiere recording. How did the opportunity for a CD come about? Dr. Jerry Kracht wrote this piece a year or two ago and sent it to me for possible inclusion on a Lyric Brass recital.  We performed LUTHER in its entirety on one of our recitals as part of the 500th Reformation celebration. We thought it was important

  • situations that will help you grow to your greatest potential and accomplish your goals.”Nelago NuunyangoMajor: Political Science, with a minor in Literature Hometown: Epato village, Namibia Selected accomplishments: Graduation Honors (magna cum laude); PLU Q Club Scholarship; PLU Academic Scholarship; First in Family Scholarship; Donald R. Farmer Award; Lutheran Leadership Award; Sigma Tau Delta English Honor Society; Phi Theta Kappa Honor Society Post-graduation plans: Pursuing graduate study in

  • task of the diviners is to interpret the marks made in the powdered wood coating the divination tray. Based on the marks the diviner creates, he or she will recite one of sixteen pre-determined verses of Yoruba oral literature, odu. Often these verses suggest further rituals or sacrifices that the diviner’s client should take part in to resolve their problem (Ross). To create each of these instruments of divination, an artist must acquire stylistic knowledge of his craft. The term àṣà generally

  • chance to keep their memory alive by sharing some of their names and stories. Presenters: Patrick Henry, Emeritus, Whitman College Judith van Praag Moderator: Rebecca Wilkin, Languages and Literature 5:00 - 6:45 p.m. – Dinner Break (Scandinavian Center, AUC) 7 p.m. – Keynote Speaker: Dr. Robert Jan van Pelt (Regency Room, AUC)“Facing the Gorgon: Reflections on Jewish Resistance in the German Death Camps” sponsored by Sam Brill in honor of his mother, Edna Brill   Presenter: Dr. Robert Jan van Pelt