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. on Saturday, June 23. Opening night KPLU listener party – Friday, June 22 at the Hotel grand Pacific with light hors d’oeuvres, beverages, and live music. Passes to the Royal British Columbia Museum. Price for two people is $925; price for single traveler is $640. Listeners can book their reservations online at www.kplu.org now. Space is limited and deadline for booking is May 20. Read Previous Visiting Writer Series: Melinda Moustakis Read Next A look at ‘Sidetracked’ COMMENTS*Note: All comments

honorary degree, starting at 2:30 p.m. The King’s visit to PLU is part of his official visit to Washington and Alaska in May. His activities at PLU and at Commencement represent his only public appearances in the South Sound. Community members are invited to help welcome the King to PLU as he tours campus. Spectators may line the path leading to and around Centennial Plaza (“Red Square”). Music and entertainment arranged by PLU’s Scandinavian Cultural Center will begin at 10:30 a.m., and the crowd will

minors were able to have intimate interactions with a variety of professionals nationwide.Bryce PinkhamActorCherie B. TayStage Manager and Music AssistantDana WilsonChoreographer and DancerLaura OsnesActorSantino JimenezTelevision Actor and ImprovisorThe Fall 2020 cohort of guests lecturers featured: Bryce Pinkham, actor (A Gentleman’s Guide to Love and Murder) Cherie B. Tay, Broadway stage manager and music assistant (Hadestown, Amélie) Dana Wilson, choreographer and dancer (In the Heights film, La

minors were able to have intimate interactions with a variety of professionals nationwide.Bryce PinkhamActorCherie B. TayStage Manager and Music AssistantDana WilsonChoreographer and DancerLaura OsnesActorSantino JimenezTelevision Actor and ImprovisorThe Fall 2020 cohort of guests lecturers featured: Bryce Pinkham, actor (A Gentleman’s Guide to Love and Murder) Cherie B. Tay, Broadway stage manager and music assistant (Hadestown, Amélie) Dana Wilson, choreographer and dancer (In the Heights film, La

students on the first day who looked at me and kind of wondered, ‘What’s he doing here?’” Krise recalled. But one person who wasn’t surprised was Kim Stone ‘13, a music education major who signed up for the class partly because she knew in advance that Krise was co-teaching it. She and her fellow RHA members had picked the new president’s brain at a dinner in the fall and asked what, if anything, he planned on doing with his literature degree during his time at PLU. “He said he might be co-teaching a

. Mikhiela Sherrod, the director of US domestic programs for hunger relief organization Oxfam America, was both the conference’s keynote speaker and the moderator for Beeson’s panel. The panel on female empowerment in organizations brought Beeson together with students who compared modern women’s cooperatives and researched girls’ education in Kenya. “It was rewarding to be part of this conference,” Beeson says. “I had the opportunity for my research to be acknowledged on this scale.” Beeson’s research

stand and accept our welcome. Finally, a special word of welcome is due a remarkable leader who is joining our team, dean of the School of Arts and Communication, Cameron Bennett. A chamber musician and soloist, Cameron has had an active and varied career as an administrator, accomplished pianist and educator. He comes to us from Ohio Wesleyan University where he was professor of music and chair of one of the most respected liberal arts music programs in the country. Cameron would you please stand

and language create an unbridgeable gap between the novel and the film. The most striking example of this is Anne’s account of how she has been, first, keeping track of Wentworth’s whereabouts, and second, showing off her mementoes of their earlier courtship. She shows a “playlist,” a collection of sheet music he had given her eight years ago. This wording, and the physical memento, are out of time because the term “playlist” used to refer to “a list of songs or pieces of music to be played” was

not designed for theater. To know for what the building was intended – in precise order ¬– it is instructive to know the building’s original name: The Chapel-Music-Speech Building. “If you were in the balcony, you could hear a pin drop, but you couldn’t see anything,” Clapp said. “And if you were on the main floor, you could see wonderfully, but you couldn’t hear anything. “That place was designed for music, not the spoken word.” On October 12, 2013, all that will change. On the Saturday evening

not designed for theater. To know for what the building was intended – in precise order ¬– it is instructive to know the building’s original name: The Chapel-Music-Speech Building. “If you were in the balcony, you could hear a pin drop, but you couldn’t see anything,” Clapp said. “And if you were on the main floor, you could see wonderfully, but you couldn’t hear anything. “That place was designed for music, not the spoken word.” On October 12, 2013, all that will change. On the Saturday evening