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Home LATEST POSTS Gaps and Gifts May 26, 2022 Academic Animals: Making Nonhuman Creatures Matter in Universities May 26, 2022 Gendered Tongues: Issues of Gender in the Foreign Language Classroom May 26, 2022 Introduction May 26, 2022
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: Visibility and Empathy. Part of the 2015 SOAC Focus Series: Perspective, this panel explores the nature of conflict, communication and the arts. When individuals, groups and communities clash, there is a sense that one’s perspective is not being heard and seen. The work of conflict practitioners is to create and facilitate processes that allow each group to see the other. The process of making others visible and of helping participants take perspective can involve an array of expression – storytelling
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sold. The decision to major in business was easy. My grandparents owned a small business and my father’s career was in financial management, so business always felt like a natural fit for me. A specific career path, however, didn’t become clear until later in my college career. Looking back, I see that PLU prepared me for my career in a number of ways. First, it provided me with a solid understanding of business concepts and how to use them to make decisions and solve problems. Beyond the classroom
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about surviving, it’s about self-preservation. To survive is to remain in existence, but preservation is to persist — to maintain your purpose in spite of difficulty and discouragement. Self-care may include using resources such as the Health and Counseling centers, making time for friends and fun, and simply eating well. If the well-being of you or someone you know is lacking, the Student Care Network is there to back you up. “Self-care (for me) would definitely have to do with trying to balance
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eyes could not grasp the splendour in its totality,” Ešenvalds wrote. “Looking at the sky, I fell backwards into the snow and could not help making a snow angel. Then I whistled and hummed the Latvian folksong on the arctic lights.” That night his multimedia symphony was born. Ešenvalds composed Northern Lights, a separate work for unaccompanied choir, water-tuned glasses and chimes for PLU’s Choir of the West in 2013. The choir premiered the work on tour that year and later performed it at the
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divisions. “Endowment funds are the engine behind us,” Killen said. The funds provide student and faculty stipends and cover research and travel costs. “When donors choose a student-faculty research endowment as one of their options, they are making it possible for PLU to do the type of integrated teaching, learning, research, public engagement that is essential to the university carrying out its mission,” she continued. Among the many donors in attendance were Naomi and Don Nothstein, founders of the
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happenstance in 1992, the second by invitation in 2005. He visited the country a third time recently. His travels to China are evident in his band piece on water dragons, called, appropriately, “Three Dragons.” In the piece, the notes twist and undulate with a sinewy and slick undertone in the background. The image of a dragon gliding through water appears. “I guess a true composer, believes against all common sense, that making a piece of music is an important act,” Youtz mused. “It’s an important act
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a crowded, noisy courtyard in Warsaw in 1939. Soldiers were screaming, and crowds, his neighbors, were being loaded into boxcars. Suddenly, Elbaum’s mom, Pauline, appeared out of the crowd, waving a paper in front of the German guards. She worked in a ghetto factory making uniforms for the Nazis, and had managed to get her manager to sign a reprieve for her family – even though the entire block where the his family lived was being shipped off that day. George Elbaum shares his story of survival
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have been equally successful in their careers, from forensics and foreign relations to education and environmental policy-making. The PLU filmmakers are talking to them all, exploring the deep relationship these Namibians have with each other and with the university they call their “home away from home”— all the while gleaning insights into themselves as well as the graduates. “In the film, each of the Namibia Nine describes how what they lived and learned at PLU is engrained in every aspect of
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.” Change is working in the derivatives section of the firm, crunching numbers and providing estimates as a junior analyst on portfolios. A transfer student from Tacoma Community College, Change eventually would like to return to Zimbabwe and start his own venture capital business. His experience at Russell will be a key part of making that passion a reality, he said. Rachael Nelson ’15 found her summer internship at the Fred Hutchinson Cancer Research Center by trolling the flyers in PLU’s Rieke
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