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Discovery Discovery https://www.plu.edu/resolute/spring-2019/wp-content/uploads/sites/31/2019/05/the-flood-opera-1024x427.jpg 1024 427 Rosemary Ponnekanti Rosemary Ponnekanti https://www.plu.edu/resolute/spring-2019/wp-content/uploads/sites/31/2019/05/rosemary-ponnekanti.jpg May 13, 2019 June 10, 2019 AccoladesLearn more. Lute LibraryLearn more. BlogsLearn more. Satisfaction comes from the simple act of sharing music At first blush, Korine Fujiwara seems an epitome of musical success. The PLU
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three said, because no one was looking to be declared the best. “In truth it was just a good natured jam,” Halvorson said, whose band “American Standard” performed. Grahe said the idea grew from chatting about music with Halvorson. For Anderson, who performed with his band “Blues Passage,” talking about music by e-mail kept the conversation growing into something more. “It kind of just morphed into that it would be fun to get together at the CAVE and do something for the students,” he said. Music
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Choral Music Info Sheet (pdf) view download
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Oksana Ezhokina Vice-chair of the Faculty Phone: 253-535-7604 Email: ejokinoa@plu.edu Website: https://www.plu.edu/music-theatre-dance/staff/oksana-ezhokina/ Professional Additional Titles/Roles Professor of Music Education D.M.A., Piano Performance, Stony Brook University, 2004 M.M., Northern Illinois University, 1999 B.M., Walla Walla University, 1997 Areas of Emphasis or Expertise Piano Studies, Applied Piano Lessons, Advanced Keyboarding Lessons, Accompanying
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Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works
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Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works
Office HoursMon - Fri: - -
Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works
Office HoursMon - Fri: - -
to live the life of a musician for a month, rehearsing daily from 10 am to 4 pm, and going on the road in the last week of the month. Our most recent J-Term tours were in 2010 to South Central Alaska, and California in 2014.J-Term tours allow Music students to fulfill their Intensive Performance degree requirement!Convention PerformancesFrom time to time, the USO, like other major ensembles in the Music Department, represents PLU at conventions for professional organizations like the Washington
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Ian Lindhartsen ’20 uses his individualized major to pursue his passion for music Ian Lindhartsen entered PLU with a plan. The 253 PLU Bound scholarship recipient from the Key Peninsula began his first year with plans to major in music education. But best-laid plans often go awry. Lindhartsen soon realized that wasn’t the path for him. He knew… November 22, 2021 AcademicsAlumni ProfilesBusinessIndividualized MajorMusicPLU Grads
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writing at PLU from 1980 to 2014. Although trained as a medievalist, she taught a broad range of literature, from Homer’s Iliad through Margaret Atwood’s The Handmaid’s Tale and Doris Lessing’s The Cleft. While teaching research and writing as well as advanced composition, her real attention was devoted to first-year writing seminars, on such topics as “Mothers and Daughters,” “Women and the Beauty Myth,” and “Barbie, Bratz, and Bella: The Construction of Girlhood in the Twenty-First Century.” Over
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