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across to a much larger audience. I understand the two of you came together to put on a musical called “Normalcy: The Climate Fiction Musical,” which Kenzie wrote. What is it about? Knapp: I was initially inspired by the wildfires happening more frequently now in late summer/early fall, referred to as “fire season.” I wondered, if “fire” was an actual season like summer, what would come after that? So, the musical is set in “New Seattle” in 2040. There are four seasons: smog season, acid rain season

, theater, visual and music can help get information across to a much larger audience. I understand the two of you came together to put on a musical called “Normalcy: The Climate Fiction Musical,” which Kenzie wrote. What is it about? Knapp: I was initially inspired by the wildfires happening more frequently now in late summer/early fall, referred to as “fire season.” I wondered, if “fire” was an actual season like summer, what would come after that? So, the musical is set in “New Seattle” in 2040

a mom who was a student, then a geographer. Weiss initially turned up her nose at Stanford, since it was too close to home. She opted for an elementary education degree from Lewis and Clark College in Portland. But the faces looking up at her from the desks had known another, less privileged life.  The recession and timber downturn in the 1970s and early 1980s had hit the families in Oregon City hard. “They were the kids from the projects, and I at first thought that was a gated community,” said

elementary school. What motivated that transition; what do you enjoy about elementary schools, and what do you miss about high schools? I have had a unique journey that has brought me full circle. I actually started out in elementary education at PLU and student-taught in fourth grade at Arlington Elementary in Tacoma. I have always had this core belief in early childhood education; it is the starting point for high school and beyond. At the time of my transition, my number one motivator was my family. I

incredibly daunting prospect to advocate for one’s mental health and seek out help when you need it.”Striving for transformative care Mental health care has long been a topic of importance at PLU, even before the COVID-19 pandemic. PLU was one of the first universities to adopt telehealth and virtual services with Lute Telehealth in early 2020. The program helps PLU meet its diversity, equity and inclusion priorities by ensuring students have access to providers–mental health and health–who share their

rewarding is bringing his students alongside and sharing with them the value of hard work, hands-on learning and timely scholarship. “One of my goals at PLU is to promote early engagement of undergraduate students – especially for women and underrepresented students – in machine learning, bioinformatics, and the data science field,” he says. “I want to inspire students to pursue advanced STEM education and research careers.”  Cao explains: “Not only is research interesting for the students, I think it’s

across to a much larger audience. I understand the two of you came together to put on a musical called “Normalcy: The Climate Fiction Musical,” which Kenzie wrote. What is it about? Knapp: I was initially inspired by the wildfires happening more frequently now in late summer/early fall, referred to as “fire season.” I wondered, if “fire” was an actual season like summer, what would come after that? So, the musical is set in “New Seattle” in 2040. There are four seasons: smog season, acid rain season

office, the physics department, choir, and my classes. I also am incredibly blessed and grateful for my four years in PLU choirs, which have taken me on a journey I could never have dreamed of, including a tour to Germany and France last summer with the Choir of the West. And, of course, no engineering education is complete without the construction of a trebuchet. All of these experiences are integral to who I am today and I would not trade them for the world. What’s next? I will be attending Oregon

is to modern television what Star Wars was to the Second Golden Age of movies in the 1970s. And it most likely will be the last of its kind. The non-serialized, binge-worthy model of releasing an entire season at once, introduced by Netflix and followed now by other streaming services, seems unable to create the same spectacle and shared collective experience of the weekly Game of Thrones phenomenon. Amazon spent $200 million just to buy the rights to adapt the popular fantasy series Lord of the

star Ben Bailey Smith says he ‘couldn’t give two s***s’ about film’s critics". The Independent. The film is aware (though perhaps imperfectly so) of gender discrimination in the Regency and its traces in the modern day. But is it aware of racial discrimination? Cracknell’s interview in the LA Times is telling: [Austen’s] time wasn’t about racial issues. Because, of course, there weren’t other races that were involved in the world that she was dealing with, so the idea of colorblind casting [worked