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., Kinesiology and Exercise Science, Central Washington University, 2002 Selected Presentations Katica, CP, Adams, NT, O’Malley, BL, Crompton, SR, Tire Pressures Impact on Physiological and Performance Variables in Wheelchair Basketball Players. Med Sci Sport Exerc, Poster presentation at the Virtual National ACSM Conference (June, 2021 Volume 53:5) Adams, NT, O’Malley, BL, Crompton, SR, Katica, CP, Comparing Heart Rate and Tire Pressure as Predictors of Performance in Wheelchair Basketball Sprint Tests

Organ Performance and the Dean’s Award for Excellence. He is currently finishing his doctoral dissertation at Cornell University where he studied with Annette Richards and Nathan Laube. His research focuses on late 19th-century American organ performance.

Fleda Brown Poetry, Nonfiction Website: http://fledabrown.com/ Biography Biography Fleda Brown has published nine collections of poems.  The Woods Are On Fire: New & Selected Poems was published in 2017 by the University of Nebraska Press.  The book is in the Ted Kooser Contemporary Poetry Series.  Her work has twice appeared in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice

., Horn Performance, Pacific Lutheran University, 2004 Areas of Emphasis or Expertise French Horn Horn Choir Ear Training Classes Music Appreciation Classes Responsibilities Applied French Horn Lessons, directs Horn Choir, teaches Ear Training and Music Appreciation courses, member of the Lyric Brass Quintet and Camas Wind Quintet Accolades Three Unaccompanied Pieces for Solo Horn (2005). Three pieces for unaccompanied horn that feature several extended techniques: I. Transcension, II. Song, III

Ryan Marsh Administrative & Performance Manager Phone: 253-535-7602 Email: marshrl@plu.edu Office Location:Mary Baker Russell Music Center - Room 206 (Music Office) Office Hours: (On Campus) Monday & Tuesday: 7:30 am - 4:00 pm (Off Campus) Wed: 7:30 am - 4:00 pm (On Campus) Mon - Fri: 7:30 am - 4:00 pm Professional Education M.M., Saxophone Performance, New England Conservatory, 2009 B.A./B.M., Saxophone Performance, University of Washington, 2007

Ryan Marsh Administrative & Performance Manager Phone: 253-535-7602 Email: marshrl@plu.edu Office Location:Mary Baker Russell Music Center - Room 206 (Music Office) Office Hours: (On Campus) Monday & Tuesday: 7:30 am - 4:00 pm (Off Campus) Wed: 7:30 am - 4:00 pm (On Campus) Mon - Fri: 7:30 am - 4:00 pm Professional Education M.M., Saxophone Performance, New England Conservatory, 2009 B.A./B.M., Saxophone Performance, University of Washington, 2007

such as Applied Research, Argumentation & Advocacy, Introduction to Communication, and Gender & Communication. Dr. Eckstein’s research explores argumentation and debate. His work has appeared in Communication and Critical/Cultural Studies, The Quarterly Journal of Speech, Western Journal of Communication, Communication Studies, Contemporary Argumentation & Debate,The Journal of Argumentation in Context, Argumentation & Advocacy, and Relevant Rhetoric. Ruth Anderson Debate 2014

2014-2015 Contributing Author to the 10-volume "Teaching Music Through Performance in Band" text series by GIA Publications Arranger of Ave Maria by Anton Bruckner, Maestro and Fox Publishing Biography Edwin C. Powell is the former Director of Bands and Professor of Music at Pacific Lutheran University where he was responsible for the University Wind Ensemble, Conducting and Music Education Methods courses. In 2015 he was the recipient of a Pacific Lutheran University Faculty Excellence Award. Dr

celebrates shifting topographies as well as human bodies in motion, not only across water and land, but also through life.”  Borich’s previous book, My Lesbian Husband (2000), won the American Library Association Stonewall Book Award. Borich’s essays have been anthologized in: Isherwood in Transit; Critical Creative Writing; Waveform: Twenty-First Century Essays by Women; and in After Montaigne: Contemporary Essayists Cover the Essays, and have been cited in Best American Essays and Best American Non

from her country, Ms. Mahyar has broad experience working with ensembles at all labels in different countries. At Michigan State University, she was the Assistant Conductor for MSU Symphony Orchestra, MSU Concert Orchestra, Musique 21 contemporary music ensemble, and the MSU Opera. There she performed with all the ensembles including conducting opera productions. Previously, Ms. Mahyar served as Teaching Assistant at University of Massachusetts Amherst, where she worked with UMass Symphony