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Deborah MirandaDeborah A. Miranda is the author of Bad Indians: A Tribal Memoir (winner of the PEN Oakland Josephine Miles Literary Award), as well as three poetry collections, Indian Cartography, The Zen of La Llorona, and Raised By Humans. She is co-editor of Sovereign Erotics: An Anthology of Two-Spirit Literature and her collection of essays, The Hidden Stories of Isabel Meadows and Other California Indian Lacunae is under contract with U of Nebraska Press. Miranda is an enrolled member
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","year":"2016","length_formatted":"1:43"},"image":{"src":"https:\/\/www.plu.edu\/resolute\/spring-2016\/wp-includes\/images\/media\/audio.svg","width":48,"height":64},"thumb":{"src":"https:\/\/www.plu.edu\/resolute\/spring-2016\/wp-includes\/images\/media\/audio.svg","width":48,"height":64}}]} “It’s a dark book with a kind of hopeful lining,” Barot said. He hopes Chord forces readers to think. “What I’m interested in is poetry of disruption. Poetry that complicates your notion of what is around you
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Lia Purpura Nonfiction, Poetry Website: http://www.liapurpura.com/ Biography Biography Lia Purpura is the author of eight collections of essays, poems, and translations, most recently, Rough Likeness (essays) and It Shouldn’t Have Been Beautiful (poems). Her honors include a Guggenheim Foundation Fellowship, National Book Critics Circle Award Finalist, National Endowment for the Arts and Fulbright Fellowships, three Pushcart prizes, the Associated Writing Programs Award in Nonfiction, and the
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had a lot she wanted to get on paper. Inspired by her writing, PLU Professor of Music and Composer Gregory Youtz set several poems to music. And thanks to the talents of three PLU Music faculty, the poetry has a new dimension as music with lyrics. With Oksana Ezhokina behind the piano keys, vocalists Soon Cho and Cyndia Sieden sang the new melodies for Emmons Turner’s poetry. Due to the necessary physical distancing, everything was recorded individually and then edited together for one grand
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Readings by its Esteemed Faculty] Rick Barot, who serves as Director of the RWW and is an Associate Professor in PLU’s English Department, is a poet and essayist. He has published three books of poetry with Sarabande Books: The Darker Fall (2002), which received the Kathryn A. Morton Prize; and Want (2008), which was a finalist for the Lambda Literary Award and won the 2009 Grub Street Book Prize; and the just-published Chord (2015). He has received fellowships from the National Endowment for the
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the Wang Center, she taught Spanish Language at many levels as well as courses focused on Latin American literatures and cultures. She is the author of several articles on Latin American poetry and project coordinator of the bilingual edition of Ernesto Cardenal’s El estrecho dudoso/The Doubtful Strait published by Indiana University Press. Her current research interests focus on masculinities as they relate to the recovery of lyrical subjectivities in contemporary Mexican poetry and fiction. She
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Executive Director of the Wang Center, she taught Spanish Language at many levels as well as courses focused on Latin American literatures and cultures. She is the author of several articles on Latin American poetry and project coordinator of the bilingual edition of Ernesto Cardenal’s El estrecho dudoso/The Doubtful Strait published by Indiana University Press. Her current research interests focus on masculinities as they relate to the recovery of lyrical subjectivities in contemporary Mexican poetry
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essays with Julie Marie Wade, Telephone: Essays in Two Voices, received the Cleveland Poetry Center Award for Creative Nonfiction. Her poetry chapbook, The Daughters of Elderly Women, received the Floating Bridge Press Chapbook Award. She coauthored, with Suzanne Paola, the textbook Tell It Slant: Creating, Refining, and Publishing Creative Nonfiction, now in its third edition from McGraw-Hill. Mentor. Workshops and classes in nonfiction. Statement: “As both a writer and a teacher, I’m so interested
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assuming the role of Executive Director of the Wang Center, she taught Spanish Language at many levels as well as courses focused on Latin American literatures and cultures. She is the author of several articles on Latin American poetry and project coordinator of the bilingual edition of Ernesto Cardenal’s El estrecho dudoso/The Doubtful Strait published by Indiana University Press. Her current research interests focus on masculinities as they relate to the recovery of lyrical subjectivities in
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Spanish Language at many levels as well as courses focused on Latin American literatures and cultures. She is the author of several articles on Latin American poetry and project coordinator of the bilingual edition of Ernesto Cardenal’s El estrecho dudoso/The Doubtful Strait published by Indiana University Press. Her current research interests focus on masculinities as they relate to the recovery of lyrical subjectivities in contemporary Mexican poetry and fiction. She pioneered PLU’s first J-term
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