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Remembering Eric Nordholm Posted by: Kate Williams / December 6, 2017 December 6, 2017 By Kate Williams '16Outreach ManagerEric (Nordie) Nordholm will forever remain a legacy in the PLU theatre department. David Robbins, Senior Advancement Officer and former chair of the music department recounts Eric’s impact at PLU. “Nordie was a longtime faculty member in the Theater Department at PLU. He was hired in 1955 and served 35 years at the university. He is fondly remembered for directing musical

New piano chair looks forward to a new chapter at PLU Posted by: Mandi LeCompte / October 21, 2011 October 21, 2011 After more than 25 years performing piano, Oksana Ezhokina opens a new chapter of her life as an Assistant Professor of Music and Chair of Piano Studies at PLU. Ezhokina performed in Lagerquist Concert Hall as a guest artist in 2000 for the very first time and says she was immediately taken with the school and the collaborative environment. “It was the spirit of the faculty, the

Remembering Eric Nordholm Posted by: Kate Williams / December 6, 2017 December 6, 2017 By Kate Williams '16Outreach ManagerEric (Nordie) Nordholm will forever remain a legacy in the PLU theatre department. David Robbins, Senior Advancement Officer and former chair of the music department recounts Eric’s impact at PLU. “Nordie was a longtime faculty member in the Theater Department at PLU. He was hired in 1955 and served 35 years at the university. He is fondly remembered for directing musical

of war, famine and disease caused by the Second Sudanese Civil War — including five of David’s siblings and his father. At one time, four million people were displaced. David, now 29, remains one of them. That will change Dec. 30, at least temporarily, when he travels to South Sudan for a four-week reunion with his mother, sister and other loved ones. The trip follows what David describes as a lifetime of isolation. “Most of what has happened to me is not good,” he says. “Pain is something that I

engage in fulfilling and meaningful work. The program promotes and provides a number of opportunities for the PLU community to engage with, discern, and live out their vocation. The Center’s official mission can be found at plu.edu/vocation. We spoke with Laree Winer, associate director for The Wild Hope Center for Vocation, about the grant and how it will be used to create the Wild Hope Institute to continue to fund the program’s mission.  How would you describe the mission of the Wild Hope Center

Despite pandemic challenges, transfer student finds community at PLU Posted by: Marcom Web Team / May 23, 2022 Image: Image: Biology major Monya-Dawn Wilson ’22 (PLU Photo/John Froschauer) May 23, 2022 By Isabella DaltosoPLU Marketing & Communications Student WriterMonya-Dawn Wilson ’22 is a DJS Fellow and Rieke Scholar who came to PLU as a transfer student. Wilson is a Biology major, and dreams of becoming a pediatrician.“I’ve always liked science and learning,” said Wilson. “I like learning

April 23, 2012 MediaLab documentary examines transportation issues in North America. (Photo courtesy of MediaLab) A look at ‘Sidetracked’ By Katie Scaff ’13 PLU student filmmakers have spent the last year researching the viability of improving rail infrastructure in the Pacific Northwest to help alleviate the problem of congestion. Members of MediaLab – PLU’s student faculty research program through the School of Arts and Communication – were approached by the Canadian Consulate and the

in the spring when we have between 50 and 75 people attend.” “There are many different reasons why people come to Jewish club. Some of them want to keep their traditions alive. Many of them are in a religion class and they are interested in learning more. Many of them are just friends of ours,” Eaton said. “I think some of them only come for my freshly baked bread.” “For me spirituality is a sense of oneness and a sense of community. You are part of something larger than yourself. Whether you are

of getting a callback.  It was stressful, expensive, and out of reach for most struggling artists. While this is still the practice most theatres adhere to today, more and more are realizing that the technologies that were once so cost prohibitive—high definition video recording with a quality microphone—is now within the fingertips—and phones—of most actors.  Because of this, and wanting to entice the greatest number of auditioners possible, many theatres now allow actors to send in high-quality