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Jes Takla Associate Dean for Campus Life, Co-Curricular Learning, and Assessment Phone: 253-535-7597 Email: jes.takla@plu.edu Professional Biography Education M.A., College Student Personnel, Bowling Green State University B.F.A., Photography & Fiber Material Studies, School of the Art Institute of Chicago Selected Publications Takla, J. (2015, February). Living the learning: It starts with TLC (themed learning communities). Living the learning: It starts with TLC (themed learning communities
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, senior manager for development studies, Environmental Programs, Port of Tacoma 3D) “Groundwater Quality, Quantity and Vulnerability in Arid Southwest Namibia: Challenges in Meeting Water Demand” – Scandinavian Cultural Center, UC Speaker: Ben Mapani, senior lecture and researcher, Department of Geology, University of Namibia 3E) “Water and Its Social Role Among Women in Shillong, India” – Room 201, Xavier Speakers: Sister Helen Puwein, Head of School, Bellefonte Community College; Karissa Bryant ’03
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Communication Core Courses 20 semester hours COMA 101: Introduction to Communication (4) COMA 120: Introduction to Media Studies (4) COMA 212: Public Speaking (4) COMA 215: Writing in Communication Careers (4) COMA 499: Capstone (4) Film & Media Studies Cluster 20 semester hours from the following: Applied Contexts – maximum 8 hours COMA 226/426: MediaLab (0-2 , repeatable up to 8) COMA 229/429: Student Media (0-2, repeatable up to 8) COMA 301: Media and Cultural Criticism (4) COMA 303: Gender
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2011 Teaching Grant, Center for Teaching and Learning, Pacific Lutheran University, for Ethnic Studies Working Group: Curricular Conversations Workshop, with Melannie Cunningham, Spring 2010 Faculty Student Research Grant, Scandinavian Cultural Center, Pacific Lutheran University for “Sustainability and Urban Planning in Malmö, Sweden ”with student Emma Kane, Fall 2009 and Spring 2010 Kelmer Roe Grant, Humanities Division, Pacific Lutheran University, for “Selling Wind: Sámi as Witches and Witches
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. Black music makers not only had a means to make a reasonable living, but also had the means to be a public voice for personal and community cultural expression. By the beginning of the twentieth century, African-American music represented by ragtime, blues, jazz, and popular song was pulling the American cultural mainstream away from European influence. No one was more aware of this than Europeans themselves, who were captivated by the lively exoticism of this music that had risen from its societal
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Competition (2016) Winner composition: "For the Rise of a New Day," Ithaca College Jazz Ensemble Composition Contest (2015-2016) Biography Cassio Vianna is the Director of Jazz Studies and Assistant Professor of Music at Pacific Lutheran University where he directs the University Jazz Ensemble and teaches jazz music courses. Born and raised in Rio de Janeiro, Brazil, Dr. Vianna is a composer, pianist, arranger, and educator whose work reflects the broad range of musical and cultural influences he has
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Competition (2016) Winner composition: "For the Rise of a New Day," Ithaca College Jazz Ensemble Composition Contest (2015-2016) Biography Cassio Vianna is the Director of Jazz Studies and Assistant Professor of Music at Pacific Lutheran University where he directs the University Jazz Ensemble and teaches jazz music courses. Born and raised in Rio de Janeiro, Brazil, Dr. Vianna is a composer, pianist, arranger, and educator whose work reflects the broad range of musical and cultural influences he has
Office HoursMon - Fri: -Area of Emphasis/Expertise -
-white institution and Eurocentric curriculum had damaged her own cultural understanding due to lack of representation within textbooks or classroom leadership.“In middle school, I disassociated with being Asian. In high school, I had to work harder to be confident in my cultural identity,” Chan says. “I reflected on what I’d been through, the microaggressions that piled up.” Students asked if she ate dogs; a teacher asked her to contribute thoughts on China. The language arts curriculum presented
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showcasing the music of African Americans, the program also will feature works of European composers from the early 20th Century inspired by African-American music, including Milhaud’s La Creation du Monde and the second movement of Dvorak’s New World Symphony. In addition, the PLU Jazz Ensemble will perform the music of Duke Ellington, accompanying the PLU Swing Club dance troupe. The concert, organized by David Deacon-Joyner, PLU Professor of Music and Director of Jazz Studies, serves as the first
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: First-Year Experience DJS Seminar FERPA: Family Educational Rights and Privacy Act FNP: Family Nurse Practitioner FR: Freshman FT: Fitness and Wellness GenEd Element FTWL: Fitness and Wellness FW: First-Year Experience Writing Seminar FREN: French FYEP: First-Year Experience Program GE: Global Engagement GenEd Element GED: General Equivalency Diploma GENED: General Education Program GLB: Graham-Leach-Bliley Act GLCS: Global & Cultural Studies GLST: Global Studies GMAT: Graduate Management Admission
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