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, the Contemporary Church History Quarterly. Bob’s talk, “Church Historians, ‘Profane Historians,’ and our Odyssey Since Wilhelm Niemöller,” will appear in the spring of 2014, along with the rest of the conference papers, in a volume he will edit for the German journal, Kirchliche Zeitgeschichte. Recent publications now in print include “Dietrich Bonhoeffer in History: Does our Bonhoeffer Still Offend?,” a paper Bob presented at an International Bonhoeffer Conference (see Green and Carter, eds

important political and philosophical ideas in an approachable anthology.  “We are confident that our edition—Louise Dupin, Work on Women: Selections—will appeal to students and scholars of history, philosophy, literature, and feminist and gender studies,” said Wilkin.  Wilkin became interested in Dupin in 2012 while working on a student-faculty collaborative research project with Sonja Ruud ‘12 who is assisting the ongoing project as a research associate and is currently completing her Ph.D. in

Francisco   Read Previous On Exhibit: The Best We Could Do Read Next On Exhibit: Resources about Acknowledging and Respecting Indigenous Languages and Land LATEST POSTS On Exhibit: Veterans Day: A Salute to Service November 1, 2022 Black History Month: Seeking (a Supreme Court) Justice February 2, 2022 Mortvedt Library materials for HEALING: PATHWAYS FOR RESTORATION AND RENEWAL symposium February 16, 2022 On Exhibit: Women’s History Month March 9, 2022

and language create an unbridgeable gap between the novel and the film. The most striking example of this is Anne’s account of how she has been, first, keeping track of Wentworth’s whereabouts, and second, showing off her mementoes of their earlier courtship. She shows a “playlist,” a collection of sheet music he had given her eight years ago. This wording, and the physical memento, are out of time because the term “playlist” used to refer to “a list of songs or pieces of music to be played” was

, theater, visual and music can help get information across to a much larger audience. I understand the two of you came together to put on a musical called “Normalcy: The Climate Fiction Musical,” which Kenzie wrote. What is it about? Knapp: I was initially inspired by the wildfires happening more frequently now in late summer/early fall, referred to as “fire season.” I wondered, if “fire” was an actual season like summer, what would come after that? So, the musical is set in “New Seattle” in 2040

most critical issues we could tackle, so I had to commit myself to this work. But I also grew up in the community and high school theatre scenes. Storytelling is such an important aspect of the human experience. I was encouraged to connect the two and have realized that environmentalism, activism and art have historically been interconnected. Climate change involves a lot of data. Numbers and statistics are a lot for folks to digest, but art, theater, visual and music can help get information

establish the endowed scholarship for vocal performance at PLU and to “help others on the way to their dreams” by clicking here. Read Previous A Midsummer Night’s Dream first opera set in the Karen Hille Phillips Center Read Next Professor Emeritus David Dahl releases new CD: “The Organ Sings” LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed

] Friday, December 25 7pm [KCTS 9 HD Seattle] "A Christmas Invitation" Concert ProgramA Christmas InvitationLearn more about composers, special guest artists and ensembles. Read Previous The University Wind Ensemble featured at the Western International Band Clinic Read Next KPLU Jazz Jam live from the Karen Hille Phillips Center LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music

and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022

value in education is something she still carries with her. When I graduated it was the happiest day of my life and the saddest day because I knew I wouldn’t be able to live on campus anymore,” she said. But that didn’t keep her from supporting a place she enjoyed so much. For a number of years, Birkestol has contributed to the funding of Eastvold Hall, the Mary Baker Russell Music Center and much more. She’s given an annual Q Club gift since 1979 and has also contributed to the Scandinavian