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by Seattle CityClub in 2016 to bolster the number of high-quality, nonpartisan debates available to the public, echoes that sentiment. With 1,800 debate attendees and more than 1 million television and streaming viewers in its first year, the Coalition has succeeded in making political candidates for public office more accessible to voters. “When neighborhoods are underrepresented, they lose their voice,” Eckstein said. “By bringing this debate to the area, we’re working to enhance our community
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Stephanie Pfundt. There will be three prize winners. Third prize is a $250 cash prize, second prize is a $500 cash prize, first prize will be $1000 cash prize and a trip to a national destination to hear Meade perform as well as a consultation and/or voice lesson with one of Meade’s mentors. Sing at PLU!If you love to sing, PLU is the place for you.PLU’s vibrant vocal and choral program provides singers from all academic disciplines with outstanding opportunities for performance and study. The Finale is
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establishing PLU as a hub for creative and original music. A colleague wrote, “Gina Gillie has quickly become one of the best-known and most-played composers of chamber ensemble works in our day. She is sought out for commissioned works, and the demand for her new and established works grows continually.” Another colleague described her as a “double threat” as both performer and composer and described her compositional style as accessible yet challenging. She has become an important voice, particularly for
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Wolf, New Voice in Chinese Women’s Literature Love in a Fallen City by Eileen Chang, translated by Karen S. Kingsbury Danish The Faces by Tove Ditlevsen, translated by Tiina Nunnally Dutch The Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele Hutchison French The Lover by Marguerite Duras, translated by Barbara Bray Persepolis by Marjane Satrapi Caribbean Writers A Season in Rihata by Maryse Conde, translated by Richard Philcox (Guadeloupe) Memory at Bay by Evelyne Trouillot
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happened from Oct 1-16, 2013, so there was no way to ensure that the votes were cast by the deadline. “We are gratified that the faculty of PLU have voted to support our unique system of shared governance — in which all full-time faculty members, tenure line and contingent alike — have full voice and vote in the Faculty Assembly,” said Steven P. Starkovich, Provost and Senior Vice President for Academic Affairs at Pacific Lutheran University. “We believe our robust, general assembly style of faculty
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March 4, 2013 Louis Hobson ’00 talks with theater and voice students at a workshop in January. (Photo by John Froschauer) What’s Next After Normal? Louis Hobson ’00 talks about life after working in Pulitzer-winning play By Barbara Clements, University Communications So now what? After going to the Big Apple and making it big – as in a key part on a Broadway, Tony-winning, Pulitzer Prize winning play big – what’s next? Louis Hobson ’00 gets asked that question a lot these days. And his answer
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thinking. What has your experience been so far? I absolutely love being a Lute. I feel like I belong here and love working with my esteemed colleagues and teaching fine students. Any advice for those in music? “Have courage and sing like you love to sing.” That is the best advice I received from one of my voice teachers. When she gave me this advice, I was working too hard to please others and trying to do everything “right” and forgot why I was singing in the first place. I believe this advice is
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about my family and Japanese-American identity. I think that attending the pilgrimage in Heart Mountain made me realize how many people are fighting for the Japanese-American voices to be heard, and my writing became my contribution to that fight.” Kishaba’s voice, both for Irene and for herself, is clear and strong, deconstructing historical prejudice word by word. A Passion for the ClassicsWhy the Digital Humanities Lab Impacts Us Read Previous The Importance of Dead Languages Read Next Why The
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the 43-voice Choir, and its director and chaperones. In 1939 there were no freeways. We wound through every small town along the way at 35 mph. There were no cellphones or iPads either, of course, so to pass the time we read, talked, played trivia games and sang the popular songs of the day in eight-part harmony. It was a pleasant ride to Portland, our first stop. On arrival, we went directly to radio station KALE, where we put on a 25-minute program. That night we gave our first church concert
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“What’s on Our Plate and Why it Matters: Exploring the Ethics of Eating” which takes place at Trinity Lutheran from 5 to 9 p.m. Friday, Oct. 15 and from 8:45 a.m. to 5 p.m. Saturday, Oct. 16 in PLU’s CK Hall in the UC. The symposium will serve to educate PLU students and the community about how their choices impact the environment and the global food production process. “They’re going to learn more about choices they have, advocacy and how to be a voice for the voiceless,” Johnson said. “This event’s
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