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. “So that style of radio is very close to my heart.” This fall, Rich is pairing their love of audio storytelling and theatre education to create an independent production of “The War of the Worlds.” Based on the H.G. Wells novel, the show’s themes include colonialism, superstitions and prejudices — topics Rich believes are still prevalent today. “I can’t speak to what H.G. Wells was thinking when he was writing it, but a lot of it is more inwardly reflective,” Rich said. “The Martians coming down

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projects like that [Immigration Simulation] because certain things require nuance. When you’re approaching different communities with asks, it goes back to remembering who they are as people.” Shayna continues the 20-year legacy of the Diversity Center. To her, the legacy means “PLU was or is at the forefront of diversity and inclusive education. I’m very fortunate that I had a place, a school that cared about that.” Shayna encourages current and future Lutes to “Soak up the time you have there, in and

the document as new ideas arise.  For more syllabus advice, the Provost’s website includes document with PLU policy information for course syllabi. I also encourage you attend the workshop Take Your Course from Good to Great with a Quality Check where we continue to explore elements of high quality courses.  The Chronicle of Higher Education also has a wonderful two-part article on creating a “learning syllabus” for your course. Have a wonderful semester! Originally posted 9/4/2014 in PLU’s

.” What is a skill that you learned at PLU that has transferred to your “real world” work? “Though I’m certainly still in the academic world, the education I received at PLU has certainly given me a strong base for adjusting to such a diverse city and an intensive program. PLU’s emphasis on vocation allowed me to find my passion (theatre) and therefore gave me the drive to seek out a way to continue learning, while not being afraid to really strive to fulfill my vocation. As for the adjustment to the

, concerts and operas in Australia, Belgium, Bulgaria, China, Canada, France, Great Britain, New Zealand, South Korea and the United States. I have previously taught at Texas State University in San Marcos and Baylor University in Waco, Texas.  I am also on the faculty at Cornish-American Song Institute in England, a summer three-week intensive study of art songs for singers, composers and pianists. I received my education and training from the University of Cincinnati, College-Conservatory of Music

on a full scholarship- an opportunity I never imagined possible. I had never seen an opera until I was in one my freshman year. I took music classes, but also many dance and acting classes too as I was a music theater major for a time. I ended up getting my degree in Music Education and taught high school and junior high for a year before starting a graduate program at the University of Colorado, Boulder. I started teaching on the voice faculty at PLU as an adjunct lecturer in 1989, immediately

secure during therapy sessions. “She truly is someone who desires to understand people, she wants to make significant and meaningful change in the lives of people who sometimes are missed in society,” said David Ward, assistant professor of marriage and family therapy. In the past four years, a PLU student has received the award three times. “It’s a validation for our belief that we’re providing students with quality education,” Ward said. “We continue to attract student who will have an impact in

in Nordquist Lecture Hall recently, but Wilkens knew he had to stay. Friends and colleagues would be quickly butchered if he didn’t. In a two-hour talk organized by PLU, Charles Wright Academy and the Washington State Holocaust Education Resource Center, Wilkens urged the audience to realize that one person can make a difference, even in a dire and insane situation. “While there are many stories of neighbors turning in neighbors, there were many who did not,” he said. In fact, is was the

understanding of the processes that control earthquakes and volcanoes. An array of seismic stations and a network of global positioning receivers are currently monitoring deformation and seismicity in the Pacific Northwest. “The data is out there but it’s really inaccessible,” Whitman said. “Practicing scientists know how to get in and use it, but if you don’t know the distinct jargon and details, it just looks like gibberish.” The workshops aim to provide a science education program that preserves the