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to go to Oxford, and the Socratic seminar method and blended nature of the IHON classes made me interested. What’s your fondest memory as an IHON student? Dr. Wilkin taught a class on friendship that was super fun, even when I didn’t always agree with some of the course material. One of the final projects was completing an ethnography, which was super unfamiliar and new to me. I chose to explore how asexual and aromantic people experience friendships or romantic relationships, as people have this
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typically be out and about all day in groups of 3 or 4. Finally, phase three is still underway, and this has been the writing process. We had a rough draft due last month, went over it with our research directors, and are now completing our final draft to submit for editing. When you reflect on this experience, what stands out to you? AS: My projects were very specialized to what I am learning at PLU. It was very fun to stretch those muscles and expand on them. The most important thing I came away with
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gathered samples and expertly interpreted the amassed data. This research project was part of the Natural Sciences Summer Undergraduate Research Program (NSSURP). NSSURP allows student researchers to work directly with PLU faculty mentors to experience a learning dimension rarely accessible from the academic-year textbook and laboratory assignments. Research projects reflect the natural sciences fields of biology, chemistry, computer science, environmental studies, geosciences, mathematics, physics
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been a lot of change, struggle, and unknowns these past few years but all of it has been worth where I am now and what I’ve learned getting here. How did PLU contribute to your success? The Ceramics program at PLU was everything to me. I had even dropped out of school at one point because I didn’t know which direction I wanted to take and some of the faculty there convinced me to come back and finish my degree. I’ve now shown pieces across the US and have my work in an international collection, and
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remodeling the Chapel comes up, the student chorus is always the same: “Please don’t change the feel of the Chapel!” One would think with its bare concrete floors and creaky benches that the students would want new and modern furnishings. But it is the medieval ambiance of the chapel that seems to lend the space a spiritual quality. And well it should. The Chapel and the Rose Window have seen the course of human life as the generations of Lutes have come and moved on to other vocations in the world. The
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wing you come from.” But it isn’t just a matter of legislation and blame can’t be placed solely on corporations and governments, Barlow said. The fault lies with all of us, and all of us buying into “the myth of abundance.” First our attitude toward water needs to change, and then we need to see how water relates to other issues, such as education or political exploitation. “Water is the great teacher. It opens everything,” Barlow said. “Dare I say, we have to start seeing water as sacred.” Read
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national theatre honor society, Alpha Psi Omega, the production is entirely student run and led under the direction of Ali Rose Schultz ’14. More than 30 students are involved onstage and off. As director, Schultz is responsible for selecting and assembling designers and actors, running the rehearsal process, and assisting the design process. Schultz chose this production for several reasons: the multifaceted and relatable content, her passion for theatre that inspires social change, and her
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new revenue stream from what use to be reliable, traditional advertising dollars is shrinking. The business is trying to figure out where the money will come from. None of the panelists had a clear answer. It may come from a click-per-view mechanism, online subscription, targeted online advertising and personalizing news homepages for the reader or a number of other options. But a change will take place that stabilizes the industry, Zeeck said. These changes were going to happen anyway. But
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coming to campus. VWS was conceived and is co-directed by English professors Jason Skipper and Rick Barot. When both began teaching at PLU, they started the series as a way for authors to share experiences with their readers in person. “Literature can change you, and often it does,” said Skipper. “My hope was to create a Visiting Writer Series where at each event this was a possibility for everyone in the room.” Since the series began, famous writers such as Mary Oliver, Brian Teare and Peter Geye
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develop solutions to the world’s most pressing problems. These problems include but are not limited to: climate change, food and water insecurity, immigration, poverty, and income inequality, as well as ongoing large and small-scale conflicts resulting from strained relations among those of different races, ethnicities, religions, genders, sexual orientations and social classes. “A recent Gallup survey suggests that polarization negatively affects American’s community attachment and trust in others
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