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Poetry | MFA in Creative Writing - Low Residency | torrin a.
torrin a. greathouse Poetry Biography Biography torrin a. greathouse is a transgender cripple-punk poet and essayist. She received her MFA in creative writing from the University of Minnesota. Her work has been featured in Poetry Magazine, The Rumpus, the New York Times Magazine, Ploughshares, and The Kenyon Review. She has received fellowships from the National Endowment for the Arts, the Effing Foundation for Sex Positivity, The Ragdale Foundation, and the University of Arizona Poetry Center
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Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Justin St.
responses in a constructive and generous manner. Ideally, a writing course develops the critical impulse as much as the creative one. I believe readers at any level possess inherent critical instincts; I view my role as encouraging and enabling them to better articulate and understand those responses, and to provide them with a toolbox of terminology they can employ in their own critical and creative pursuits. Participants often find it far easier to evaluate techniques and elements at play in stories
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Nonfiction, Fiction | MFA in Creative Writing - Low Residency | Aram Mrjoian is the editor-in-chief of The Rumpus and a 2022 Creative Armenia-AGBU Fellow.
Aram Mrjoian Nonfiction, Fiction Biography Biography Aram Mrjoian is the editor-in-chief of The Rumpus and a 2022 Creative Armenia-AGBU Fellow. His debut novel, Waterline, is forthcoming with Harper Via in 2025. Aram has previously worked as an editor at the Chicago Review of Books, the Southeast Review, and TriQuarterly. He is the editor of the anthology We Are All Armenian: Voices from the Diaspora published by the University of Texas Press (March 2023). His writing has appeared in The
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Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Renee Simms, J.D., MFA, is a recipient of a National Endowment for the Arts Creative Writing Fellowship, a John Gardner Fiction Fellowship at Bread Loaf, and fellowships from Ragdale and Vermont Studio Center.
Renee Simms Fiction, Nonfiction Biography Biography Renee Simms, J.D., MFA, is a recipient of a National Endowment for the Arts Creative Writing Fellowship, a John Gardner Fiction Fellowship at Bread Loaf, and fellowships from Ragdale and Vermont Studio Center. She’s an associate professor of African American Studies at University of Puget Sound and teaches with the Rainier Writing Workshop, Pacific Lutheran’s low-residency MFA program. Her debut story collection Meet Behind Mars was a Foreword
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Poetry, Nonfiction | MFA in Creative Writing - Low Residency | Fleda Brown has published nine collections of poems.
– one-shot 3-hour sessions, weekend retreats, and semester-long creative writing classes. Sometimes students come into a workshop simply wanting a push, sometimes they need help finding their voices. Everyone talks about ‘finding a voice,’ as if we all knew what this means. We don’t. I don’t. What I can do in a workshop is to help students allow themselves to be clumsy, foolish, and sometimes nuts in their writing, while loosely hanging onto the reins. What are the reins? I don’t know that
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Poetry | MFA in Creative Writing - Low Residency | Kelli Russell Agodon is a bi/queer poet and editor from the Pacific Northwest.
, The Daily Poet: Day-By-Day Prompts for Your Writing Practice (coauthored with Martha Silano), Fire on Her Tongue: An Anthology of Contemporary Women’s Poetry, and Demystifying the Manuscript: How to Create of Book of Poems (coauthored with Susan Rich). She lives in a sleepy seaside town where she is an avid paddleboarder and hiker. She teaches at Pacific Lutheran University’s low-res MFA program, the Rainier Writing Workshop. Kelli is the cohost of the poetry series “Poems You Need” with Melissa
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Nonfiction | MFA in Creative Writing - Low Residency | Barrie Jean Borich is the author of Apocalypse, Darling (2018), which was short-listed for a Lambda Literary Award.
celebrates shifting topographies as well as human bodies in motion, not only across water and land, but also through life.” Borich’s previous book, My Lesbian Husband (2000), won the American Library Association Stonewall Book Award. Borich’s essays have been anthologized in: Isherwood in Transit; Critical Creative Writing; Waveform: Twenty-First Century Essays by Women; and in After Montaigne: Contemporary Essayists Cover the Essays, and have been cited in Best American Essays and Best American Non
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Poetry | MFA in Creative Writing - Low Residency | Geffrey Davis is the author of three books of poems, most recently One Wild Word Away (BOA Editions 2024).
and men to tell their own stories through writing. Davis currently lives in the Ozarks, where he teaches for the Program in Creative Writing & Translation at the University of Arkansas. Raised by the Pacific Northwest, he also serves as Poetry Editor for Iron Horse Literary Review. Mentor. Workshops and classes in poetry. Statement: I encourage writers to keep sight of what comes next. Yes, we will work on sharpening our craft through intensive practice with technique and through a study of
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Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Marjorie Sandor is the author of five books of fiction and creative nonfiction, most recently a debut novel, The Secret Music at Tordesillas, which won the 2020 Foreword Indies Gold Medal for Historical Fiction.
Marjorie Sandor Fiction, Nonfiction Website: http://marjoriesandor.com/ Biography Biography Marjorie Sandor is the author of five books of fiction and creative nonfiction, most recently a debut novel, The Secret Music at Tordesillas, which won the 2020 Foreword Indies Gold Medal for Historical Fiction. Earlier books include the linked story collection Portrait of my Mother, Who Posed Nude in Wartime, winner of the 2004 National Jewish Book Award in Fiction, and two books of personal essays
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Poetry | MFA in Creative Writing - Low Residency | Oliver de la Paz is author and editor of several books and serves as the Poet Laureate of Worcester, MA.
classes in poetry. Statement: “I encourage students to think of themselves not as isolated individuals, but as members of a learning community. For me, the writing workshop is a place where students improve their skills in reading, critical thinking, interpretation, and communication through engagement with their own texts and with those written by others. To be members of a learning community, I teach my students that verbal and written communication are inextricable, neither can take place
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