Faculty & Staff Directory

Department Directory

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  • Poetry | MFA in Creative Writing - Low Residency | Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017).  Her poems have appeared in The New York Times, Troubling the Line: Trans and Genderqueer Poetry and Poetics, Waxwing, and elsewhere.  Her honors include a Whiting Award, a Hodder Fellowship, and an NEA Fellowship.  She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts, and Yaddo.  She is an Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.

    Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.  She lives in Pittsburgh, PA. Mentor. Workshops and classes in poetry. Statement: If, as Muriel Rukeyser says, poems are “meeting-places,” I am ever-ready to meet you in those places and to help you to think through the difficult pleasures of creating such encounters. I am eager, too, to discuss how you situate your work

  • Founding Director, In Memoriam | MFA in Creative Writing - Low Residency | Judith Kitchen (1941-2014)  was the co-founder of the Rainier Writing Workshop MFA program at PLU.  She is the author of four collections of essays, most recently The Circus Train (Ovenbird Books, 2014).

    Judith Kitchen Founding Director, In Memoriam Biography Biography Judith Kitchen (1941-2014)  was the co-founder of the Rainier Writing Workshop MFA program at PLU.  She is the author of four collections of essays, most recently The Circus Train (Ovenbird Books, 2014).  Her other collections are Half in Shade: Family, Photography, Fate and Distance and Direction (Coffeehouse Press) and Only the Dance (U. of South Carolina Press).  She is also the author of a novel, The House on Eccles Road

  • Poetry | MFA in Creative Writing - Low Residency | Jennifer Elise Foerster is the author of three books of poetry, Leaving Tulsa (2013), Bright Raft in the Afterweather (2018), and The Maybe-Bird (2022), and served as the Associate Editor of When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. She is the recipient of a NEA Creative Writing Fellowship, a Lannan Foundation Writing Residency Fellowship, a Hermitage Artist Retreat Fellowship, and was a Wallace Stegner Fellow in Poetry at Stanford.

    Jennifer Foerster Poetry Biography Biography Jennifer Elise Foerster is the author of three books of poetry, Leaving Tulsa (2013), Bright Raft in the Afterweather (2018), and The Maybe-Bird (2022), and served as the Associate Editor of When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. She is the recipient of a NEA Creative Writing Fellowship, a Lannan Foundation Writing Residency Fellowship, a Hermitage Artist Retreat Fellowship, and

  • Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Matt Young  is the author of the memoir, Eat the Apple (Bloomsbury, 2018), and the novel, End of Active Service (Bloomsbury, 2024).

    Matt Young Fiction, Nonfiction Biography Biography Matt Young  is the author of the memoir, Eat the Apple (Bloomsbury, 2018), and the novel, End of Active Service (Bloomsbury, 2024). His stories and essays have appeared in TIME, Granta, Tin House, Catapult, and The Cincinnati Review among other publications. He is the recipient of fellowships from Words After War and The Carey Institute for Global Good, and teaches composition, literature, and creative writing at Centralia College in Washington

  • Nonfiction | MFA in Creative Writing - Low Residency | Brenda Miller edited the anthology The Next Draft: Inspiring Craft Talks from the Rainier Writing Workshop. Her most recent collection of her own work is A Braided Heart: Essays on Writing and Form. She is the author of five more essay collections, including An Earlier Life, which received the Washington State Book Award for Memoir, and she is the recipient of six Pushcart Prizes.

    Brenda Miller Nonfiction Website: http://www.brendamillerwriter.com/ Biography Biography Brenda Miller edited the anthology The Next Draft: Inspiring Craft Talks from the Rainier Writing Workshop. Her most recent collection of her own work is A Braided Heart: Essays on Writing and Form. She is the author of five more essay collections, including An Earlier Life, which received the Washington State Book Award for Memoir, and she is the recipient of six Pushcart Prizes. Her book of collaborative

  • Fiction | MFA in Creative Writing - Low Residency | David Allan Cates is the author of five novels, most recently Tom Connor’s Gift, a gold medalist in the 2015 Independent Book Publishers Book awards.

    Missoula Writing Collaborative, teaching classes on short story writing in high schools, and the 406 writing workshop.  For many years he worked as a fishing guide on the Smith River and raised cattle on his family farm in Wisconsin. Mentor. Workshops and classes in fiction. Statement: “My success in the publishing world is limited, but my success as a writer has been boundless.  Every book I have written has taken me on an adventure I would have thought impossible beforehand. I am a middle-aged man

  • Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Marie Mutsuki Mockett was born to an American father and Japanese mother, and graduated from Columbia University with a degree in East Asian Languages and Civilizations.

    Fellowship from the US/Japan Creative Artist Fellowship, funded by the National Endowment for the Arts.  Where the Dead Pause and the Japanese Say Goodbye was a finalist for the 2016 PEN Open Book Award, the Indies Choice for Nonfiction and the Northern California Book Award for Creative Nonfiction.  Her novel, Picking Bones from Ash, published by Graywolf, was a finalist for the Saroyan Prize and the Paterson Prize.  Her new book, tentatively titled A Kernel In God’s Eye, explores her family’s one

  • Nonfiction | MFA in Creative Writing - Low Residency | Sherry Simpson is the author of Dominion of Bears: Living with Wildlife in Alaska, which received the 2015 John Burroughs Medal for a distinguished book of nature writing, and two collections of essays, The Accidental Explorer: Wayfinding in Alaska and The Way Winter Comes, which won the inaugural Chinook Literary Prize.

    , which received the Benjamin Franklin Award in the travel essay and photography category.  Her work has appeared in numerous journals and magazines, including Orion, Creative Nonfiction, Brevity, Superstition Review, AQR, and Bellingham Review.  Her essays have appeared in such anthologies as On Nature: Great Writers on the Great Outdoors, American Nature Writing, The Fourth Genre, Living Blue in the Red States, and In Fact, the best of Creative Nonfiction journal.  She has received the Andrés Berger

  • Editor in Residence, Poetry | MFA in Creative Writing - Low Residency | Stephen Corey is the author of four full-length collections of poetry, the latest being There Is No Finished World (White Pine Press, 2003), and six chapbooks.

    , 1912-2002.  He has co-edited three books in as many genres, most recently (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press, 2001).  He has worked as a literary editor for nearly 35 years, first with The Devil’s Millhopper from 1976-1983, and since then with The Georgia Review, where he currently serves as editor.  He lives in Athens, Georgia and serves as Editor-in-Residence in the Rainier Writing Workshop. Editor in Residence. Mentor. Workshops and classes in

  • Nonfiction | MFA in Creative Writing - Low Residency | Wendy Call (she/her) is the co-editor of the craft anthology Telling True Stories: A Nonfiction Writers’ Guide (Penguin, 2007) and the new annual Best Literary Translations (Deep Vellum, 2024).

    simply helping people discover what they already knew. I finally came to understand that’s what teaching creative writing is. My job as a writing mentor is to bring the toolbox, both literal and metaphorical. It might include kitchen utensils, glue stick and scissors, postcards, advertisements, original works of art, bottled scents, raw vegetables, or items from a recycle bin or thrift shop. It includes world literature, direct engagement with working writers, and concepts borrowed from linguistics