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Major Minute: Tom Smith on Theatre & Dance Posted by: vcraker / August 6, 2021 August 6, 2021 PLU’s Theatre & Dance Department prides itself on our dynamic and challenging curriculum supported by a season of up to 10 productions each year. Our program trains students in all aspects of theatre and dance: from musical theatre, acting, technical theatre and design, to foundational dance styles, stage management, choreography, producing, directing, and playwriting. Read Previous Recent Music and

offerings is proving its popularity with students as well. “My favorite thing about a Theatre and Dance major is how multifaceted our program at PLU is,” Chuck Stern said. “Yes, I’m learning a diverse range of skills required of an actor and director, but I also have gotten to learn about playwriting, stage and theatre management, set construction, scenic painting, and so much more.” That hands-on program versatility is one of the things that sets PLU’s new Department of Theatre and Dance apart, Smith

Office of Arts and Culture, 4Culture, and the Puffin Foundation. She has twice been a writer-in-residence at the Hedgebrook Writers’ Retreat for Women on Whidbey Island. Amontaine was recently nominated for the Emerald Prize, a biennial playwriting award presented by Seattle Public Theater. Through mixed-media collage, artist books and installations, Carletta Carrington Wilson creates works that have been described as “decorative with a message.” Wilson states that, “the form and formation of

pointed out artwork on campus. “We want to highlight PLU as a whole,” explained co-chair Allie Moore. Other events included a discussion with former KOMO 4 news reporter John Sharify and the MediaLab Open House, which showcased senior Tove Tupper’s documentary “Keeping the Rhythm: The Story of the DASH Center.” Additionally, PLU faculty members hosted a variety of classes and workshops, from drawing, pottery and playwriting to resume and portfolio tips. Alumni also spoke about life after PLU, and

University takes great pride in its dynamic and challenging Theatre program. We train students in all aspects of theatre – from acting and directing to stage management, producing, playwriting, technical theatre and design.Set in the 1950s, the play centers on an African-American father and his relationship with his son. Troy, a Negro League baseball player who never got a legitimate shot at the segregated major leagues and instead became a sanitation worker, tries to quash the football dreams of his son

of the autism spectrum; “Why I Dance,” which is inspired by a dance class Watts took at PLU; and “Greek to Me,” which is a story about how Watts expresses love using the Greek words Agape, Philia and Eros. Watts fondly recalled the moment this all started. “I can trace it back to Fall 2017 — I was in a playwriting class with Professor Tom Smith. It was the first time this class was offered, so I wanted to learn more about it,” she said. Watts received edits of her works from both her peers and

dance styles, stage management, choreography, producing, directing, and playwriting. Keep reading to learn more. Read Previous Summer Job Spotlight: Nursing Read Next Summer Internships: Political Science LATEST POSTS PLU Scores 4.5 out of 5 on Campus Pride Index: What does that mean? November 21, 2024 YouTube Short: A quick campus tour and Lute lingo with Zari Warden November 19, 2024 Major Minute Monday: Global Studies November 18, 2024 You Ask, We Answer: Do you have Marine Biology? November 15

, playwriting and production, artistic exploration, bodywork and more. This panel will bring together conflict, community and peace practitioners who use a variety of expressive forms to connect participants working to manage conflict, build community and even create peace. 6 p.m. Studio Theater, Karen Hille Phillips Center for the Performing Arts. Free. Wednesday, April 8: Dune Ives. Ives, co-manager of the Paul G. Allen Family Foundation, will talk about her journey from PLU to her current philanthropic