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  • Professor of Hispanic and Latino Studies | Hispanic and Latino Studies | urdangga@plu.edu | 253-535-7240

    Giovanna Urdangarain Professor of Hispanic and Latino Studies Phone: 253-535-7240 Email: urdangga@plu.edu Office Location: Xavier Hall - 111 Professional Education Ph.D., Indiana University, 2008 M.A., Hispanic Literature, Indiana University, 2001 B.A., Secondary Education Literature, Artigas Teacher Training Institute, Montevideo, Uruguay, 1991 Areas of Emphasis or Expertise Contemporary Latin American Narrative Southern Cone Dictatorial and Post-Dictatorial Narrative by Women Writers Memory

  • Fiction | MFA in Creative Writing - Low Residency | Scott Nadelson is the author of four story collections, most recently The Fourth Corner of the World; a memoir, The Next Scott Nadelson: A Life in Progress; and a novel, Between You and Me.  His stories and essays have appeared in Harvard Review, AGNI, Ploughshares, Glimmer Train, The Southern Review, Crazyhorse, New England Review, Prairie Schooner, and Alaska Quarterly Review, and have been cited as notable in both Best American Short Stories and Best American Essays.  Winner of the Oregon Book Award, the Great Lakes Colleges New Writers Award, and the Reform Judaism Fiction Prize, he teaches at Willamette University and lives in Salem, Oregon. Mentor.

     Best American Short Stories and Best American Essays.  Winner of the Oregon Book Award, the Great Lakes Colleges New Writers Award, and the Reform Judaism Fiction Prize, he teaches at Willamette University and lives in Salem, Oregon. Mentor. Workshops and classes in fiction. Statement: “As a writer, I am endlessly surprised and fascinated by the possibilities offered by narrative and by language; as a teacher, I try to get students excited about those possibilities by sharing my discoveries and

  • Fiction | MFA in Creative Writing - Low Residency | Sequoia Nagamatsu is the author of the national bestselling novel, How High We Go in the Dark (William Morrow, 2022), a New York Times Editors’ Choice, and the story collection, Where We Go When All We Were Is Gone (Black Lawrence Press, 2016), silver medal winner of the 2016 Foreword Reviews Indies Book of the Year Award.

    other narrative? How can this work that seems so different from what I want to do help me achieve my goals? In both workshops and mentorship settings I again stress the concept of community not only as etiquette that should be practiced out of respect within an academic environment, but also as a practice of a working writer. Nobody truly writes alone and nobody publishes alone. In addition to conversations about writing, I place a focus on how we should all strive to support writers and the larger

  • Nonfiction | MFA in Creative Writing - Low Residency | Sherry Simpson is the author of Dominion of Bears: Living with Wildlife in Alaska, which received the 2015 John Burroughs Medal for a distinguished book of nature writing, and two collections of essays, The Accidental Explorer: Wayfinding in Alaska and The Way Winter Comes, which won the inaugural Chinook Literary Prize.

    Nonfiction Award and Sierra magazine’s Nature Writing Award, and she was a finalist for the Katharine Nason Bakeless Nonfiction Literary Publication Prize, sponsored by Bread Loaf Writers’ Conference.  She is a professor of creative nonfiction writing in the Low-Residency MFA program at the University of Alaska Anchorage and serves on the faculty of the Kachemak Bay Writers’ Conference. Mentor. Workshops and classes in nonfiction. Statement: “My favorite moment is when a writer who’s struggling with a

  • Editor in Residence, Poetry | MFA in Creative Writing - Low Residency | Stephen Corey is the author of four full-length collections of poetry, the latest being There Is No Finished World (White Pine Press, 2003), and six chapbooks.

    nonfiction and poetry. Statement: “I am an editor because I am a writer; I am a writer because at some point–I believe I was in my mid-twenties–simply taking in the world no longer seemed enough, and because I have crazy but loving dreams of whacking a few readers in the gut the way my favorite writers have whacked me. I try to edit via compassionate insinuation [from the Latin insinuare: to introduce by windings and turnings], doing my best to enter the intention and spirit of a piece to determine how

  • Visiting Lecturer of Southern Lushootseed | Native American and Indigenous Studies | nancy.bob@plu.edu

    Nancy Jo Bob Visiting Lecturer of Southern Lushootseed Email: nancy.bob@plu.edu

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  • Professor Emeritus | Communication, Media & Design Arts | Michael Stasinos was born in Canoga Park, CA, but now calls Seattle home.

    , Oregon 2001 Excellence In Teaching Award, Eastern Illinois University Professional Memberships/Organizations Association of American Colleges & Universities College Art Association International Registry Of Artists And Art Work Biography Michael Stasinos was born in Canoga Park, CA, but now calls Seattle home. He attended Southern Utah University for his undergraduate degree. Over the years following he has taken many jobs and life experiences, including seasonal work in the Pacific Northwest fishing

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  • Associate Professor of English | Department of English | solveig.robinson@plu.edu | 253-535-7241 | Dr.

    Book Victorian Literature Books The Book in Society: An Introduction to Print Culture (Broadview Press 2014) : View Book A Serious Occupation: Literary Criticism by Victorian Women Writers (Broadview Press 2003) : View Book Selected Articles "The Victorian Novel and the Reviews." The Oxford Handbook of the Victorian Novel 2013: "Victoria Woodhull-Martin and The Humanitarian (1892–1901): Feminism and Eugenics at the Fin de Siècle." Nineteenth-Century Gender Studies Vol. 6.2, 2010: "'Sir, It is an

  • Poetry | MFA in Creative Writing - Low Residency | Geffrey Davis is the author of three books of poems, most recently One Wild Word Away (BOA Editions 2024).

    and men to tell their own stories through writing. Davis currently lives in the Ozarks, where he teaches for the Program in Creative Writing & Translation at the University of Arkansas. Raised by the Pacific Northwest, he also serves as Poetry Editor for Iron Horse Literary Review.  Mentor. Workshops and classes in poetry. Statement: I encourage writers to keep sight of what comes next. Yes, we will work on sharpening our craft through intensive practice with technique and through a study of

  • Visiting Assistant Professor of Music - Piano | Music | erhsuan.li@plu.edu | 253-535-7647 | Praised by the New York Concert Review as having “played with astonishing maturity and flair,” Dr.

    officer of the CU Boulder Collegiate Chapter of MTNA, he has delivered “Designing the Sensory Friendly Recital,” and “Hidden Voices: Exploring Piano Works by Black Women Composers in the Helen Walker-Hill Collection,” at MTNA national conferences. A seasoned lecturer, Li has given a variety of insightful presentations on “Approaching New Music with Confidence,” “How to work with a pianist,” “Voice of Taiwan: Ma, Shui-Long,” “Strategies for Performing Pierre Boulez’s Douze Notations,” “Joseph Bologne

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