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Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while
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-hundred-year-old wheat farm in Nebraska, and the changing role of food, God, science, race and agriculture in society, and was a finalist for the Lukas Prize, awarded by Columbia and Harvard University’s Schools of Journalism. She lives in San Francisco. Mentor. Workshops and classes in fiction and nonfiction. Statement: I think of writing as intimately connected to seeing. I ask myself–and students–“What do you see that other people are missing?” As artists, we want to entertain and we want to be
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, bassist Clipper Anderson is one of the most highly regarded musicians on the Northwest jazz scene today. Equally comfortable with straight-ahead, traditional, free jazz or bebop, he plays with genuine reverence for the music and an unassuming mastery that speaks for itself. Clipper has enjoyed a long and distinguished career as a composer, performer, studio musician, vocalist and educator. He plays at jazz festivals throughout the United States and Canada and has appeared at the Port Townsend Jazz
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, he plays music, supports the Portland Timbers soccer team, and enjoys indie and mainstream tabletop RPGs.
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, he plays music, supports the Portland Timbers soccer team, and enjoys indie and mainstream tabletop RPGs.
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Jason Gilliam Lecturer - Euphonium Phone: 253-535-7602 Email: gilliajm@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education M.A., University of Puget Sound B.M., University of Puget Sound Responsibilities Applied Euphonium Lessons Accolades Besson Performing Artist on euphonium Biography Jason Gilliam is a native of Tacoma, Washington. He holds the Bachelor of Music and Master of Arts in Teaching form the University of Puget Sound in Tacoma, Washington
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History at PLU, as well as classes on innovation and the history of technology. His most recent book is Code Nation: Personal Computing and the Learn to Program Movement in America (2020). The project investigates programming culture, computer literacy debates, and the technical history of recent software companies, including Apple, Borland, DEC, IBM, and Microsoft. Prof. Halvorson is interested in oral history and its use in preserving the early history and contributions of technology companies and
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Guardian, Tin House, New England Review, DIAGRAM, ZYZZYVA, and many other publications, as well as anthologies including Best of the West and The Pushcart Prize. He was a Wallace Stegner Fellow at Stanford University and has a BA and MFA from the University of Arizona. He lives in Oregon and teaches at Oregon State University and the Rainier Writing Workshop. Mentor. Workshops and classes in fiction and nonfiction I want your work to be your own, so my approach to advising individual students
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Magazine, and One World: A Global Anthology of Short Stories, and has been listed as notable in Best American Non-Required Reading and the Best Horror of the Year. He has previously taught at The College of Idaho, Southern Illinois University, and the Martha’s Vineyard Institute of Creative Writing. He currently teaches at St. Olaf College and resides in Minneapolis. He is at work on forthcoming novel, Girl Zero. More at http://SequoiaNagamatsu.com. Mentor. Workshops and classes in fiction. Statement
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, was published by Milkweed Editions in 2020. The Galleons was listed on the top ten poetry books for 2020 by the New York Public Library and was on the longlist for the National Book Award. Also in 2020, his chapbook During the Pandemic was published by Albion Books. Mentor. Workshops and classes in poetry. Oversight of program. Statement: “I’ve always been intrigued by these two connotations of the word craft—that it refers to something like technique, and also that it refers to cunning. Which
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