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trans women, more queer women, more women of color to talk about their experiences,” said Courtney Gould ’16, creative director for the production. Gould says this more personal approach to “The Monologues” gives students a space to share their feelings and speak their truths to an audience of their peers. All of the student-written monologues will touch upon issues that affect female Lutes in their everyday lives, such as disabilities and fat-shaming. “We want to bring a PLU aspect to it, so it’s

around Tacoma, as well as on location in Portland, Washington, D.C., upstate New York, Ontario, Massachusetts, Virginia, Ohio, Vancouver, B.C., and elsewhere. In addition to Lovrovich, who served as creative director and also serves as MediaLab’s general manager, the “Changing Currents” research and film production team includes business major John Struzenberg ’16, director of photography and chief editor; communication major Chris Boettcher ’17, social media associate; art and graphic design major

registered sales assistant of Commonwealth Financial Network® and has FINRA Series 6 and 63 securities registrations. In 2009, she received Commonwealth Financial Network’s national Staff Person of the Year award. Mary Holste ’00; Co-Owner and Creative Director, Side x Side Creative. Holste first came to the South Sound as a PLU student, where she worked for Impact and studied away in Scotland, Paris and London. She earned her degree in Fine Arts-Graphic Design before working (and teaching) for the

Stream LGBT Studies films October 2022 Gender and Sexuality Week activities calendar Authors featured in the exhibit: “adrienne maree brown grows healing ideas in public through her multi-genre writing, her music and her podcasts. Informed by 25 years of movement facilitation, somatics, Octavia E Butler scholarship and her work as a doula, adrienne has nurtured Emergent Strategy, Pleasure Activism, Radical Imagination and Transformative Justice as ideas and practices for transformation. She is the

and honored to have my first, two-band pieces premiered at PLU,” Gjeilo said. “I listened to some great recordings he (Powell) has done with the PLU band. When I realized I really wanted to start writing band music, PLU was the only place I had in mind for a possible premiere. “Luckily, Dr. Powell was into it as well.” From composition to performance, Powell has worked with Gjeilo, via web, and the PLU musicians. What’s great, Powell said, has been seeing the students give their input about the

a main goal of the symposium is ensuring that creative projects and research in all academic fields are highlighted. “We’re really trying to find one place — one venue — where we can showcase and celebrate all of that work,” Lewis said. Students interested in participating in the inaugural conference submitted application forms at the beginning of the semester. Abstracts for the proposed submissions were reviewed by a faculty committee. First-year Cessna Westra worked in tandem with Associate

and who make a profound difference in the lives of others as a role model, confidant, critic, or co-learner. This year we honor Dr. Jason Skipper, Associate Professor of English. One colleague wrote, “From a first year writing course to the capstone, Jason mentors the room and crafts a supportive environment where people can take chances, be vulnerable, and be open-minded…. In doing this careful and labor-intensive work, Jason is mentoring these students into new lives as scholar-citizens. Jason’s

find PLU dancers to be incredibly welcoming and supportive of one another,” Brown says. “They create a family for each other, and somehow, along with their 20 majors, community work, and club attendance, each student manages to dedicate themselves fully to the creative process. It’s admirable to watch them succeed gracefully as dancers at the same time.” DeFilippis is the Dance Director at the University of Nebraska at Kearney, and has collaborated with Brown in the past. “When this opportunity

for each other, and somehow, along with their 20 majors, community work, and club attendance, each student manages to dedicate themselves fully to the creative process. It’s admirable to watch them succeed gracefully as dancers at the same time.” DeFilippis is the Dance Director at the University of Nebraska at Kearney, and has collaborated with Brown in the past. “When this opportunity arose, I immediately knew working with the PLU Dance Ensemble would be an exciting and worthwhile endeavor

our assumptions. Can we call the work of equity at PLU — or anywhere — “innovative?” And what does innovation even mean in this context? As a white woman who works with other white people to increase racial literacy — and as a ‘21 graduate of the Rainier Writing Workshop, PLU’s Master of Fine Arts in creative writing program — I’m interested in the semantics of social justice and the idea of challenging default definitions and linguistic habit. A couple of months ago, via Zoom, I met with four