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seminar, 3 clinical - 180 hours) GNUR 701 : Foundations of Scholarly Writing & Communication Reinforces composition and writing skills for academic purposes. APA is stressed; including, writing, citations, and references. Written communication of ideas to inform and persuade a reader on a topic through a variety of dissemination methods. (2) GNUR 702 : Advanced Practice Roles & Collaboration Focuses on the role of an advanced practice nurse and interprofessional collaboration, change management and
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students studying abroad or participating in clubs or activities. When you graduate, you’ll be prepared for active citizenship and a variety of career opportunities, including library and information sciences, writing and social media, education, government service, jobs in technology, law, business, and more. How does it work? Class sizes are small and discussion based, with plenty of opportunity to read and evaluate materials from a diverse selection of writers and time periods. We use the latest
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and environmentally sustainable agriculture. Laurie-Berry started teaching at PLU in the fall of 2008. In addition to Plant Physiology, Laurie-Berry’s other classes include Plant Development and Genetic Engineering and a first-year writing class focused on global agriculture, world hunger, genetic engineering and related topics. “Our central question for the course is how agriculture and related systems must change to alleviate global hunger,” Laurie-Berry says.Before 2015, the original PLU
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academic and professional journey. Through individual career counseling appointments, our advisors can help you with things like: Job and Internship Searches Professional Resume and Cover Letter Writing Interview Preparation Career Exploration “The career and internship advisor I met with was SO helpful! I was stressed out that I would not be able to reduce my resume down to one page, but her tips made it possible. She also showed me ways to look up internships on LinkedIn.” Emily S. ’22, Business
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”. On finding who you are as an artist: When you’re a kid in the second grade, they are teaching you to write. You have 26 letters and they didn’t tell you that with 26 letters, your personality is going to jump out. Not today, not tomorrow, but in your signature and in your writing - you can’t stop it. Well, art is the same way. If you do it over and over and over and over again as much as you’ve signed your name and written, whatever you’ve made is going to have your personality. No matter what
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document camera. Any content on your screen can also be captured, such as digital annotations or writing, software demonstrations, slide presentations, or website interactions. Instructors can think-aloud in a video offering critical commentary, telling an engaging story, or providing an analysis of key course content. Effective instructional recordings are typically 5-10 minutes each in length. Larger topics can be divided into a series of recordings and shared in a playlist. Shorter videos are easier
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half worn off on the keyboard of the laptop she is currently writing this bio on–and so thank goodness there is joy in that too. She is immensely grateful for the intellectual freedom she enjoys in her scholarship, for the opportunity to interact with hopeful young adults on a daily basis in the classroom, and for the inspiration she gets year in and year out from PLU colleagues. Student-Faculty Research Grants Kelmer Roe Student Faculty Collaborative Research Grant ($2880), for students Kasey
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(April 4-7, 2013) 110th Annual Conference of the Pacific Ancient and Modern Language Association (PAMLA), Whose Trauma, What Memory? O Ano em Que Meus Pais Saíram de Férias” by Cao Hamburger (2006), Seattle University, Seattle (October 19-21, 2012) Xenographies II: The Representation of Foreigners in Literature, Travel Writing and Other Discourses, sponsored by Sociedad Española de Literatura General y Comparada (SELGYC), the British Comparative Literature Association (BCLA), and the Centre for
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(April 4-7, 2013) 110th Annual Conference of the Pacific Ancient and Modern Language Association (PAMLA), "Whose Trauma, What Memory? O Ano em Que Meus Pais Saíram de Férias” by Cao Hamburger (2006), Seattle University, Seattle (October 19-21, 2012) Xenographies II: The Representation of Foreigners in Literature, Travel Writing and Other Discourses, sponsored by Sociedad Española de Literatura General y Comparada (SELGYC), the British Comparative Literature Association (BCLA), and the Centre for
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little stick-shift cars around roundabouts. She used to take students to Martinique during J-Term in the French Caribbean; there, she became an expert at yelling “arrêt!” to signal her stop to bus drivers. Oh, and she once spent a summer in Quebec City. Prof. Wilkin’s favorite things in life are friendship, family, long walks, and bougie dinners. But she spends most of her time working–the plastic is half worn off on the keyboard of the laptop she is currently writing this bio on–and so thank
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