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the Regiment), Pamina (The Magic Flute), Lucy (The Telephone), Zerlina (Don Giovanni), Gretel (Hansel and Gretel), and Papagena (The Magic Flute). During her apprenticeship with the Seattle Opera Young Artist’s Program in 2004, Ms. Milanese performed the role of Pamina in the Young Artist’s production of The Magic Flute and returned as a guest artist the following season to sing the role of Barbarina in their production of Le Nozze di Figaro. On the concert stage, Ms. Milanese has performed as a
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Scott Rogers Dean of Assessment and Core Curriculum Phone: 253-535-7985 Email: rogers@plu.edu Office Location: Hauge Administration Building - 125 Professional Biography Additional Titles/Roles Associate Professor of English Co-Director of the Parkland Literacy Center Education Ph.D., Univeristy of Louisville, 2011 M.A., University of New Mexico, 2006 B.A., University of California, Los Angeles, 2001 Areas of Emphasis or Expertise First-Year Writing Writing Program Administration and Assessment
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, invitation only, student-faculty research and applied internship program for highly motivated students. MediaLab students are engaged in activities that include public relations, advertising, documentary filmmaking, journalism, marketing and research, graphic design, photography and much more. Under Dr. Wells’ direction, MediaLab has earned national and international recognitions, including two National Broadcasting Society Awards, three Broadcast Education Awards, three college division Emmy Award
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pursue K-12 STEM teaching. This project is part of the Robert Noyce Teacher Scholarship Program.
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, was published by Milkweed Editions in 2020. The Galleons was listed on the top ten poetry books for 2020 by the New York Public Library and was on the longlist for the National Book Award. Also in 2020, his chapbook During the Pandemic was published by Albion Books. Mentor. Workshops and classes in poetry. Oversight of program. Statement: “I’ve always been intrigued by these two connotations of the word craft—that it refers to something like technique, and also that it refers to cunning. Which
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different periods actually sing together—a trio, a sextet, and even an octet—dovetail perfectly. The dramatic arc builds persuasively to the climactic moments, shifting with increasing speed between scenes to the culminating revelation.” (The Wall Street Journal) Korine is a recipient of an Opera America Commissioning Grant from the Opera Grants for Female Composers program, made possible through the generosity of The Virginia B. Toulmin Foundation, for the composition of “The Flood,” an award-winning
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, University of Toronto, Royal Conservatory of Music Biography Cameron Bennett has had an active and varied career as an administrator, educator, and performing artist, having served in a diversified range of academic and professional institutions. He brings more than two decades of administrative leadership and expertise in strategic planning, academic program and curriculum development, budget management, faculty and student affairs, community engagement, and fundraising. He currently serves as Dean of
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Germany European Women's History Responsibilities Oversees the Powell-Heller Family Conference each year; organizes the Lemkin Lecturer; oversees the Mayer Summer Scholars program for undergraduates doing research; mentors students engaged in Lemkin essay contests; works to build the Holocaust and Genocide Studies minor at PLU; brings scholars and survivors together for presentations on campus. Books Anti-Semitism and the Holocaust: Language, Rhetoric and the Traditions of Hatred (Bloomsbury Academic
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of Vocal Studies, Teaches Applied Voice Lessons, Vocal Pedagogy, Solo Vocal Literature, Diction, Directs Opera Production/Workshop Accolades Production Grant from the Kurt Weill Foundation for Music in New York, NY Regency Scholarship Grant, Pacific Lutheran University Biography James Brown enjoys an eclectic career of singing, teaching, stage direction and conducting. James is the Chair of Vocal Studies at Pacific Lutheran University where he directs the opera and oversees a large voice program
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National de Région de Paris “Hector Berlioz” and received a Premier prix in piano. An active teacher, she joins Pacific Lutheran University where she runs the group keyboard program, teaches applied lessons and accompanying. Previously, she taught piano at Washington State University, as well as instructing ear-training and collaborating with the opera department. Prior to coming to WSU, Dr. Powers served on the faculty of East Central University in Ada, Oklahoma as Assistant Professor of Piano where
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