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corridor for performances and masterclasses throughout the week. His tour repertoire will include much of the music he won the competition with.The tour will kick off a busy season for Steighner. Classes resume at PLU and he’ll be busy teaching lessons, chamber music, and ear training in addition to maintaining his private studio. He’s also starting a South Sound Saxophone Ensemble comprised of local saxophonists (including several PLU alums). Finally, he is organizing an “unconference” for music
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April 4, 2008 Diverse music, dance styles mark Dance 2008 A vibrant and dynamic series of performances marked PLU’s Dance 2008 in Eastvold Auditorium. The night’s program featured students, alumna and faculty choreographers, and a guest choreographer. The Dance Ensemble performed a collection of dances in the style of jazz, modern, ballet and hip hop. Directed by Maureen McGill, associate professor of dance and theater, the performance marked her 30th academic year at PLU. She presented “Bird
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standing, will be eligible for the PLUS year. Graduate students enrolled full-time at PLU this fall will be eligible for continuing education credits upon completion of their graduate degree program. “We expect students to take advantage of their PLUS year in a lot of different ways,” said Belton. “For some, it will mean an extra semester on the field or performing with their music ensemble. Others will take advantage of the opportunity to study away, complete an additional major or minor or engage in
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do, and create something where there was once absolutely nothing.” Shatter’d, a 30 minute adaptation of The Life and Death of King Richard II shows the following weekend. The play covers the rise and fall of Richard’s reign as King from within the prison cell where he resides until his execution. The high-energy, ensemble-based, experimental theatre piece uses Shakespeare’s language to explore larger themes such as the human perception of time. “Student collaboration is at the heart of the PLU
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represented our university, our music program and our country very well. It was also a wonderful opportunity for our students to hear groups from other countries and to interact with fellow singers from all over the world.” In addition to the Grand Prize, PLU took home gold awards in the Sacred Music and Mixed Choir divisions. PLU’s Chamber Singers (eight singers from the Choir of the West) won Gold in the Vocal Ensemble division. Both PLU choirs were selected to perform in the Grand Prize competition
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. The Cassio Vianna Jazz Orchestra performed in the Professional Ensemble Concert category. The 50-minute set included pieces from the 2017 album Infância (meaning “childhood” in Portuguese) as well as a new piece composed especially for the conference. Performers included a face familiar to PLU Jazz followers – former Director of Jazz Studies, David Deacon-Joyner on piano. Other talented performers included Greg Yasinitsky from Washington State University (tenor sax), José Aponte from University of
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establishing PLU as a hub for creative and original music. A colleague wrote, “Gina Gillie has quickly become one of the best-known and most-played composers of chamber ensemble works in our day. She is sought out for commissioned works, and the demand for her new and established works grows continually.” Another colleague described her as a “double threat” as both performer and composer and described her compositional style as accessible yet challenging. She has become an important voice, particularly for
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headed home. As more and more people exited the Mall dust clouds where whipped up in the wind, dropping from an already 30 degree temperature to an estimated 15 degrees. It was all worth it. To walk along the Mall and see news cameras, the capital in front of me, to hear the cheers of the crowd as the President and Vice President made their way to the White House, to see the Parade on the jumbotrons, there is just nothing like that I have ever done. For a long time I have known a Bush (Sr. and W.) in
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burnt out and unfulfilled. But perhaps it was inevitable that Hall, the daughter of a teacher, would wind up putting her communications skills to work in the service of education. She remembers learning at PLU about the concept of vocation. “That’s not a word I had heard or used a lot before attending PLU,” she says. “I learned that it is not just a career, but a set of values — things that are intrinsically important to you in the work you do, no matter how that work is funneled.”Considering a
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.” Then the humorous exchange between husband and wife begins. John starts by saying “Fortunately we have more than one carriage so if one is blown over in the wind…” Isabella responds: “Husband, please!”. He, with a slight tone of amusement, replies: “Happy Christmas!” as he exits the room. De Wilde’s Christmas scene, then, centers on a bitter family relationship. However, what does carry over from the novel and from McGrath’s version is Emma’s devotion to her father’s happiness. When Mr. Woodhouse
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