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crowd lines and occasionally fielding questions. As the doors opened, I was surprised to see, after hours of waiting in the wind and rain, smiling, cheering Clinton supporters and thousands of waving signs. This same support wasn’t apparent at the next day’s 27th District Caucus in Tacoma’s Stanley Elementary School. Caucus organizers, unprepared for the enormous turnout, hurriedly copied additional sign-in sheets, pleaded with the crowd to snap instead of clap and to please stop cheering after

Pandemic Performance: PLU Music Chair Brian Galante on education during the coronavirus Posted by: bennetrr / October 19, 2020 October 19, 2020 By Anneli HaralsonMarketing and Communications Guest WriterAs the effects of the coronavirus pandemic continue to impact the world, educators are being forced to get creative as classrooms move online. Remote learning combined with the cancellation of large, in-person events, and concerns over the germ-spreading potential of singing and playing wind

communications as a career, after a series of positions left her burnt out and unfulfilled. But perhaps it was inevitable that Hall, the daughter of a teacher, would wind up putting her communications skills to work in the service of education. She remembers learning at PLU about the concept of vocation. “That’s not a word I had heard or used a lot before attending PLU,” she says. “I learned that it is not just a career, but a set of values — things that are intrinsically important to you in the work you do

want to learn to make it and I can’t find the resource for it, I just look it up on YouTube.” Since Ragoonanan has been studying at PLU, he has self-designed and hand-made costumes for each year of his dance ensemble production. Not only has his work added diversity to the show; it also has enriched the audience’s cultural experience. Dance 2014 When: 7:30 p.m. April 11 and 12 Where: Karen Hille Phillips Center for the Performing Arts Tickets: $8 general admission/$5 senior citizens and alumni/$3

book of the same name by Amy Waldman. Howard had to continuously review the novel and sketch out the story in order to create choreography. “Dance Ensemble always has something to offer especially when you have a range of pieces from culture to social justice, etc.,” Howard said. “When thinking in the context of The Submission, I think people should come to get a taste of art that is thought provoking. It’s kind of like going to a really good documentary and walking away thinking ‘what can I do to

arose, I immediately knew working with the PLU Dance Ensemble would be an exciting and worthwhile endeavor,” DeFilippis explained. DeFilippis’ piece, In the Wake of Opportunity, was inspired by the science fiction television series, Battlestar Galactica. The piece explores the ramifications of a wrong decision made by a community and explores the process of consoling both the individual and the group.Choreographer Talkback Guest Choreographer Gabrielle McNeillie. Photo by Ed Flores. Friday, April 8

said I was doing it well,” Whatley said. “I never had anyone tell me my compositions were good before.” This story was written by By Valery Jorgensen ’15, PLU Marketing & Communications Student Worker, and originally appeared here.  Read Previous The Choir of the West: PLU’s Premier Choral Ensemble Keeps Particularly Busy Read Next Inaugural Christmas Music Scholarship Concert premieres Saturday, December 13 LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of

raised in Douglas, Arizona on the Mexican border, the youngest of five children. I played baseball, acted in plays, and played trombone in the band. I didn’t sing in a choir until my junior year in high school and got a wonderful opportunity my senior year when I sang at a solo/ensemble contest in Tucson. My adjudicator was Eugene Conley, revered baritone and accomplished voice teacher at the University of Arizona. That chance meeting that day led to enrolling in the U of A to study with Mr. Conley

June 16, 2008 Graduate breaks new ground It’s been a whirlwind four years for Candice Hughes ’08.An international student from Trinidad and Tobago, Hughes participated in theater and Dance Ensemble, held leadership roles in the Diversity Center and ASPLU, and spearheaded the first campus Caribbean Carnival in February 2006. She even fit in a semester studying away in Botswana. At Spring Commencement 2008, the geosciences major capped off her university career as the senior class speaker. Her

Regency Room at the Anderson University Center. In the spring, the series will welcome its last writer for academic year, Adrianne Harun. She will speak on Feb. 26 at 3:30 p.m. at the Garfield Book Company, followed by an appearance in the Regency Room at 7 p.m. The VWS series is free and open to the entire PLU community. Read Previous Highly Decorated U.S. Army Veteran Shares His Journey From Service to Political Science at PLU Read Next The Choir of the West: PLU’s Premier Choral Ensemble Keeps