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yet meet the prerequisites for general chemistry. The course abandons the traditional chapter ordering of topics in general chemistry to develop students’ understanding of four principle concept areas: 1) Quantitative Relationships, 2) Atomic and Molecular Structure, 3) Energy and Energy Changes, and 4) Chemical Reactivity. Through a “flipped classroom” approach, students read, watch videos, and work through practice problems before each class meeting to prepare them for higher-order problem
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Religion Vol. 17.3, 2014: "Prophets Meet Profits: The Virtues of Christian Ecological Ethics and Free Market Environmentalism with Kathryn D. Blanchard." The Journal of the Society of Christian Ethics Vol. 34.1, 2014: "Playing God: Religion in the Geoengineering Debate with Forrest Klingerman." Bulletin of Atomic Scientists Vol. May/June, 2014: "The 'War' Against Climate Change and Christian Eco-Justice: Ethical Implications of Martial Rhetoric." Worldviews: Global Religions, Culture, and Ecology Vol
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Religion Vol. 17.3, 2014: "Prophets Meet Profits: The Virtues of Christian Ecological Ethics and Free Market Environmentalism with Kathryn D. Blanchard." The Journal of the Society of Christian Ethics Vol. 34.1, 2014: "Playing God: Religion in the Geoengineering Debate with Forrest Klingerman." Bulletin of Atomic Scientists Vol. May/June, 2014: "The 'War' Against Climate Change and Christian Eco-Justice: Ethical Implications of Martial Rhetoric." Worldviews: Global Religions, Culture, and Ecology Vol
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Religion Vol. 17.3, 2014: "Prophets Meet Profits: The Virtues of Christian Ecological Ethics and Free Market Environmentalism with Kathryn D. Blanchard." The Journal of the Society of Christian Ethics Vol. 34.1, 2014: "Playing God: Religion in the Geoengineering Debate with Forrest Klingerman." Bulletin of Atomic Scientists Vol. May/June, 2014: "The 'War' Against Climate Change and Christian Eco-Justice: Ethical Implications of Martial Rhetoric." Worldviews: Global Religions, Culture, and Ecology Vol
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restore the integrity of PLU’s language requirement and oversaw the founding of Hong International Hall, on whose task force he has served since 2006. Mark’s institution of the annual International Poetry festival in 2002 represents his most personal legacy to PLU. Ceremoniously, Mark lit the flame of poetry (a candle) and invited students, faculty, and staff to share poems in any language over tea and scones. Erudition, patience, and kindness are the hallmarks of Mark’s teaching, whether in French
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Dynamic Compression Summer School 2022 Posted by: alemanem / February 1, 2022 February 1, 2022 Dynamic Compression Summer School (DCSS) July 31 – August 5, 2022 Understanding Materials at Extreme Conditions The Dynamic Compression Summer School has been established to provide an overview of dynamic compression science appropriate for upper-level undergraduates and first-year graduate students. The four and a half days of activities will introduce students to the scientific fundamentals
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Scholarships for Graduate Studies at the Institute for Shock Physics Understanding Materials at Extreme Conditions Posted by: alemanem / November 4, 2020 November 4, 2020 Graduate students from a range of disciplines (Physics, Chemistry, Materials Science, Mechanical Engineering, and Geo/Planetary Science) have a unique opportunity to study the response of materials at extreme conditions with the internationally renowned scientists at Washington State University (WSU). Working within their
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Margaret Witt ’86 Margaret Witt ’86 https://www.plu.edu/resolute/fall-2018/wp-content/uploads/sites/27/2018/09/margaret-witt.jpg 600 600 Logan Logan https://secure.gravatar.com/avatar/df88b9152697d03169d961f6b1582ddd?s=96&d=mm&r=g September 18, 2018 October 5, 2018 Maj. Margaret “Margie” Witt is a decorated, 20-year veteran of the U.S. Air Force who made history in 2010 with her successful constitutional challenge to the law known as “don’t ask, don’t tell” (DADT), which prohibited gays and
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ceramic), was the driving force for the direction of her work. “That piece helped me finally understand and articulate the work I was making,” Henderson explained. “The common theme for my work is the concept of dynamic tension; each sculpture narrates a moment associated with growing up, and seeks to induce emotion and ponderous thought from the viewer.” A flux is a medium used in ceramics to lower the melting point of glaze materials; it is the key element that gives glazes their unique qualities
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is to say that we writers handle materials that, when handled just so, lead to a sort of alchemy. The most powerful pieces of writing, then, contain an infinite complexity—a complexity that’s tangible and undefinable at the same time. And all of this is done in the writer’s solitude, which seems its own mixture of materiality and expansiveness. Even though I believe that a strong piece of writing generates something like magic, I also believe in tough-minded examinations of the thematic and
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