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. Before coming to PLU, she lived in Boston, Hanover, NH and New York City. Jenny teaches American literature from 1860 to the present, with a special emphasis on the representation of race, gender and sexuality in fiction written after 1945. She also teaches a Writing 101 course on water, politics and place for the First Year Experience Program. Her research traces the development of narratives of affiliation in the post-1960 North American novel. In their depiction of alternative forms of loving
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. Before coming to PLU, she lived in Boston, Hanover, NH and New York City. Jenny teaches American literature from 1860 to the present, with a special emphasis on the representation of race, gender and sexuality in fiction written after 1945. She also teaches a Writing 101 course on water, politics and place for the First Year Experience Program. Her research traces the development of narratives of affiliation in the post-1960 North American novel. In their depiction of alternative forms of loving
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. Before coming to PLU, she lived in Boston, Hanover, NH and New York City. Jenny teaches American literature from 1860 to the present, with a special emphasis on the representation of race, gender and sexuality in fiction written after 1945. She also teaches a Writing 101 course on water, politics and place for the First Year Experience Program. Her research traces the development of narratives of affiliation in the post-1960 North American novel. In their depiction of alternative forms of loving
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. Before coming to PLU, she lived in Boston, Hanover, NH and New York City. Jenny teaches American literature from 1860 to the present, with a special emphasis on the representation of race, gender and sexuality in fiction written after 1945. She also teaches a Writing 101 course on water, politics and place for the First Year Experience Program. Her research traces the development of narratives of affiliation in the post-1960 North American novel. In their depiction of alternative forms of loving
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. Before coming to PLU, she lived in Boston, Hanover, NH and New York City. Jenny teaches American literature from 1860 to the present, with a special emphasis on the representation of race, gender and sexuality in fiction written after 1945. She also teaches a Writing 101 course on water, politics and place for the First Year Experience Program. Her research traces the development of narratives of affiliation in the post-1960 North American novel. In their depiction of alternative forms of loving
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April Ayers Lawson Fiction Full Profile
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, trying to see why I couldn’t put a book down, and all the ways you can say something to subtly point a reader in a particular direction,” she says. PLU communications director Zach Powers ‘10 interviewed Matthias recently about her new literary fiction novel, The Runestone’s Promise. Matthias discussed how the novel has roots in her family’s history and what it’s like writing a novel set in 1799 Christiana (now Oslo). Read Previous PLU interns combat climate change one tree at a time Read Next
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far north.” The Alaska Literary Series of the University of Alaska Press publishes three titles a year in poetry, fiction, and literary nonfiction that has a strong connection to Alaska or the circumpolar north, making the northern experience available to the world. The event is sponsored by the Rainier Writing Workshop MFA Program at PLU. It is the Seattle-area official launch of the Alaska Literary Series of the University of Alaska Press. The readers for the event are: Joan Kane, The Cormorant
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.” Rowland received a bachelor of arts in music education from PLU, and went on earn a masters in creative writing at Boston University, where his life took a new direction. While he was studying at Boston University, Rowland wrote his first novel, In Open Spaces, a historical fiction piece about his home state of Montana. He published the novel 11 years later, in 2002, and then a second novel, The Watershed Years, in 2007. Russell Rowland’s anthology, titled West of 98: Living and Writing the New
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October 18, 2010 Writers welcomed By Kari Plog ’11 During the summer, students in PLU’s Master in Fine Arts Creative Writing program gather on campus for their summer residency. As part of the three-year program, the students meet four times for short summer residencies of about 10 days each. Accomplished writers are not scarce in the program, but really, “The only requirement is to come as writers, published or not,” said Stan Rubin, MFA program director. (Photo by John Froschauer) It’s a time
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