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Aram Mrjoian Creative Nonfiction, Fiction Biography Biography Aram Mrjoian is the editor-in-chief of The Rumpus and a 2022 Creative Armenia-AGBU Fellow. His debut novel, Waterline, is forthcoming with Harper Via in 2025. Aram has previously worked as an editor at the Chicago Review of Books, the Southeast Review, and TriQuarterly. He is the editor of the anthology We Are All Armenian: Voices from the Diaspora published by the University of Texas Press (March 2023). His writing has appeared in
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The English Department is pleased to present the 2024 Spring Capstones. Thursday, May 16 – 5:00-9:00 pm: Morken 216 – ENGL 424 – Creative Writing Morken 214 – ENGL 434 – Writing, Literature, and Public Engagement Friday, May 17 – 11:30-4:00 pm: Morken 103 – ENGL 424 – Creative Writing Hauge Admn, Room 202 – ENGL 434 – Writing, Literature, and Public Engagement May 16, 2024 - Creative Writing5:00 pm - Kaylie Bracy5:55 pm - Victoria Schultz6:45 pm - Meghan Mitchell7:30 pm - Rachel Paller5:00
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Bella Bravo & Miranda Morgan Bella Bravo & Miranda Morgan Thursday, April 11, 2024 7:00 PM, Regency Room, AUC 203 This event is open to the campus community for in-person attendance. Bella Bravo is a fiction writer. Their stories have appeared in NY Tyrant and Driftless Magazine. They earned an MFA in fiction at the University of Wisconsin, Madison, where they were a Chancellor’s Fellow and won the August Derleth Graduate Creative Writing Prize. They’ve received fellowships from Mineral School
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Miranda Morgan Visiting Assistant Professor of English Phone: 253-535-7229 Email: miranda.morgan@plu.edu Office Location: Hauge Administration Building - 227-H Professional Additional Titles/Roles Director, The Writing Center Education MFA, MFA in Creative Writing, Nonfiction, University of Montana, 2019 BA, Literature and Creative Writing, University of California, Santa Barbara, 2014
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MFA Learning OutcomesDemonstrate critical reading and writing skills that show proficiency in analyzing the thematic and formal elements that constitute a literary text. This includes a sophisticated understanding of how a text is made, along with an understanding of the content that animates strong pieces of creative writing. Demonstrate knowledge of the genre conventions and craft elements for the student’s genre of focus, whether creative nonfiction, fiction, or poetry. This will include a
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Meet our New Faculty! Ali Mctar, Miranda Morgan, Bella Bravo PLU English is delighted to welcome three outstanding new Visiting Assistant Professors to our Department! Ali Mctar: British Literature (Renaissance and Early Modern); Global Literatures Ph.D, Princeton University Miranda Morgan: Creative Writing (nonfiction prose); Professional, Public, and Digital Writing M.F.A. University of Montana Bella Bravo: Creative Writing (fiction and nonfiction prose) M.F.A., University of Wisconsin
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papers are practiced, including developing appropriate research topics, locating and using a variety of relevant sources, substantiating generalizations, and using paraphrase and citation accurately. (2 or 4) ENGL 225 : Autobiographical Writing - CX Reading autobiography and writing parts of one's own, with an emphasis on how writing style and personal identity complement each other. (4) ENGL 227 : Introduction to Creative Writing - CX A beginning workshop in creative writing, focusing on the major
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black colors. A countdown clock appears on the left side of the screen counting down from 60 seconds] (timer beeping) English is the study of how people use the creative power of the written word. Storytelling is one of the most powerful forms of human expression. It’s an exciting time to study English. The surge in digital media and technology means that people are reading and writing in all sorts of new ways. At PLU, English majors can choose a concentration in literature, creative writing, or
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celebrates shifting topographies as well as human bodies in motion, not only across water and land, but also through life.” Borich’s previous book, My Lesbian Husband (2000), won the American Library Association Stonewall Book Award. Borich’s essays have been anthologized in: Isherwood in Transit; Critical Creative Writing; Waveform: Twenty-First Century Essays by Women; and in After Montaigne: Contemporary Essayists Cover the Essays, and have been cited in Best American Essays and Best American Non
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creative work, another for her scholarship and teaching. Even then I knew, of course, that the scholarly and the creative were false categories. A poem was as much the result of a poet’s deep critical study of poetry as it was the result of inspiration. In the same way, the best scholarship that I read at the time— Richard Poirier on Robert Frost, Helen Vendler on Wallace Stevens, and Carson herself on Paul Celan—had a dazzling creativity of insight that made scholarly writing as artful as the works
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