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  • will sign copies of All I Need from 12 p.m. to 3 p.m. Feb. 12 at Garfield Book Company. Aikin’s new album was released Feb. 3, 2015. It already has reached the top of iTunes’ Gospel Music charts. This album is her first in six years. Since her first release, she says she has become more comfortable with creating music, and she believes this album reflects her.“There’s a lot of energy in this [album],” Aikin told Black Entertainment Television. “I feel like I was actually able to put my voice, my

  • David Olson ‹ Resolute Online: Spring 2014 Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni News Homecoming Highlights Awards Recognition Alumni Profiles Alumni Events Class Notes Calendar Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni News

  • Mike Burton ’69 ‹ Resolute Online: Spring 2014 Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni News Homecoming Highlights Awards Recognition Alumni Profiles Alumni Events Class Notes Calendar Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni

  • better community.” Part of that effort to give back is giving himself a public voice capable of effecting change. Sablan ran for elected office for the first time in November, challenging the incumbent for Franklin Pierce School District’s Director 5 position. While Sablan didn’t win, he drew in a little more than a third of the vote in an impressive effort.CCESWhat is CCES at PLU?PLU Center for Community Engagement and Service serves as a resource for students, staff, and faculty who want to learn

  • of voice and vote in the Faculty Assembly and may vote on matters of personnel recommendations (e.g., the selection of chair and dean, and the hiring of new faculty). Regular faculty are subject to performance reviews in accordance with established schedules and procedures. Contingent Faculty Contingent Faculty status applies to those persons who are appointed to non-tenure-eligible lines to teach specific courses for which they are academically qualified. They may be full-time or part-time

  • energy as the last time began to get a little exhausting. So much so that, well, guess who lost her voice? I know. How ridiculous, right? I go on a choir tour, and I almost immediately lose my voice. You can obviously understand my frustration and extreme sadness. Not being able to fully support my fellow choristers crushed me, and with barely any time to rest, I had to take advantage of all those long bus rides and sleep to conserve what was left of my voice. From this whole ordeal, though, I

  • Musical Memories ‹ Resolute Online: Spring 2014 Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni News Homecoming Highlights Awards Recognition Alumni Profiles Alumni Events Class Notes Calendar Home Features NicarAGUA TED Fellow Positive Prankster The Voice Attaway Lutes Editor’s Note Setting the Course On Campus Discovery Research Accolades Lute Library Blogs Alumni

  • West, accompanying and coaching private voice students, team-teaching numerous theater classes, and most recently she was named Music Director for productions in PLU’s Theater & Dance program, including Amélie, music revues Off Broadway, and When You Wish Upon a Star, and Jasper in Deadland (Spring 2024). Amy is frequently asked to collaborate and perform with world-renown conductors and elite ensembles at NWACDA, Washington ACDA, NAfME, and WMEA conventions. Recent notable collaborations have been

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  • West, accompanying and coaching private voice students, team-teaching numerous theater classes, and most recently she was named Music Director for productions in PLU’s Theater & Dance program, including Amélie, music revues Off Broadway, and When You Wish Upon a Star, and Jasper in Deadland (Spring 2024). Amy is frequently asked to collaborate and perform with world-renowned conductors and elite ensembles at NWACDA, Washington ACDA, NAfME, and WMEA conventions. Recent notable collaborations have

    Contact Information
  • to centering community? One of the barriers that comes to mind is access. Using traditional systems to connect, inform, educate or solicit feedback from the community can risk leaving out the voice, wisdom and opinions of populations in our community who do not have ready or easy access to those modes. Many traditional systems for engagement ask the community to come to decision makers. So creating systems that meet people where they’re at removes some of those barriers. This can apply to