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drumming of the Ewe and Yoruba tribes, Afro-Cuban drumming, Brazilian sambas, and jazz for mallet keyboard instruments. Ivester earned a Bachelor of Music degree from Eastern Washington University, and he did undergraduate and graduate work in ethnomusicology at the University of Hawaii that included field study in gamelan music on the island of Java. PLU Faculty: Jazz Sound Trio

. Heath, T. Hodgson and D. Schultz. "Applets, Functions, and a Dynamic Understanding of Calculus." ON-Math Online Journal of School Mathematics Vol. 4, No. 1, 2006. Refereed. Accolades Winner of the MAA's 2015 Carl B. Allendoerfer Award for Expository Excellence for Straightedge and Compass Constructions in Spherical Geometry Certificate of Gratitude for extraordinary volunteer service, from the Graham Kapowsin Community Council, December 14, 2011 and December 8, 2010 HECB Grant supported Professional

on the exhibition of contemporary art as a cultural and political force in the Cold War era and today. Her most recent work deals with contemporary art and cultural integration. In addition to teaching on topics such as gender issues, identity, and memory in modern and contemporary art, Heather is Coordinator of the University Gallery (including the University Gallery Annex and the Karen Hille Phillips Gallery) and manages the University’s Permanent Art Collection. Students may request a meeting

Books Lutherrenaissance: Past and Present (Forschungen zur Kirchen- und Dogmengeschichte) Bilingual Edition (V&R Academic 2014) : View Book Cross Examinations: Readings on the Meaning of the Cross Today - Editor (Fortress Press 2006) : View Book Biography Marit Trelstad is Professor of Constructive and Lutheran Theology at Pacific Lutheran University in Tacoma, Washington. Her scholarly work combines feminist, process and Lutheran theologies and has focused on Christology, theological anthropology

and Reference Librarian at Pacific Lutheran University. His research interests include critical information literacy, instructional design, and e-learning. Off work, he listens to a lot of music and tries to find time to play video games, watch anime, and read.

discourse in East and West Germany, as well as on the exhibition of contemporary art as a cultural and political force in the Cold War era and today. Her most recent work deals with contemporary art and cultural integration. In addition to teaching on topics such as gender issues, identity, and memory in modern and contemporary art, Heather is Coordinator of the University Gallery (including the University Gallery Annex and the Karen Hille Phillips Gallery) and manages the University’s Permanent Art

-2008 Biography I grew up in the Tacoma area and began working for PLU in the fall of 2000, shortly after graduation from Western Washington University. I started work at PLU as a software support specialist and manager of the main computer lab on campus, which was then located in the University Center. I was eventually promoted into the position of User Support Team Lead where I oversaw all hardware and software support, computer purchases and the computer replacement cycle for the university, as

, Critical Studies in Media Communication, Media, War & Conflict, and Capacious: Journal for Emerging Affect Inquiry, among other outlets. You can read more about her work at mmritchie.com.

Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works

Carolina, Chapel Hill, and now teaches at Clemson University. Mentor.  Workshops and classes in fiction. Statement: “The most important thing your writing can be is interesting.  And by that I mean interesting to you, because when you’re deeply engaged in the process, the work sparks alive.  This level of engagement involves writing into places you didn’t expect and opening to the risk of surprise. In art as in life, we often enough try to dodge what would make us grow because it’s uncomfortable, and