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from her country, Ms. Mahyar has broad experience working with ensembles at all labels in different countries. At Michigan State University, she was the Assistant Conductor for MSU Symphony Orchestra, MSU Concert Orchestra, Musique 21 contemporary music ensemble, and the MSU Opera. There she performed with all the ensembles including conducting opera productions. Previously, Ms. Mahyar served as Teaching Assistant at University of Massachusetts Amherst, where she worked with UMass Symphony
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Physics and M.A. in Mathematics from University of Washington and his Ph.D. in Physics from Columbia University. He did postdoctoral studies in Chemistry at Berkeley and Harvard. He worked as an engineer at Collins Radio Company and Boeing Company. Dr. Tang regards teaching as his calling, although his research accomplishments are also considerable. His research interests are in interatomic interactions, atomic and molecular collisions, and solid state physics. He authored/coauthored over 130 papers
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chairing the Department of Sociology and Criminal Justice and the Women’s and Gender Studies Program. Gregson was honored with the Faculty Award for Excellence in Teaching in 2005, the Faculty Award for Excellence in Mentoring in 2011, and the PLU Mortar Board Society “Top Prof” award in 2017.
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, Pacific Lutheran University, “for work with and for undocumented students at PLU, advocacy for an inclusive and welcoming university, and the many ways her teaching, scholarship and community engagement honor PLU’s mission and advance the ideals of humanistic inquiry”, 2017 Faculty Honoree at the Acknowledgement of 2017 Inspirational Women, PLU Center for Gender Equity, Pacific Lutheran University Karen Hille Phillips Regency Advancement Award, Pacific Lutheran University, for the project entitled
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, Pacific Lutheran University, “for work with and for undocumented students at PLU, advocacy for an inclusive and welcoming university, and the many ways her teaching, scholarship and community engagement honor PLU’s mission and advance the ideals of humanistic inquiry”, 2017 Faculty Honoree at the Acknowledgement of 2017 Inspirational Women, PLU Center for Gender Equity, Pacific Lutheran University Karen Hille Phillips Regency Advancement Award, Pacific Lutheran University, for the project entitled
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Kitsap Opera. Besides his work in the theater, Dr. Guhr is also active on the concert and recital stage, and can be heard on the soundtracks of many video games. Dr. Guhr has an MM in Music History from Kansas State University and a DMA in Voice from the University of Washington. He is currently on the voice faculty of Pacific Lutheran University and the Tacoma Music Academy.
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University of Michigan, and is currently on the jazz faculty at Pacific Lutheran University. Kate’s international resume continues to grow, including performances in Russia, Latvia, Turkey, Switzerland, South Korea, Cuba, and Slovakia. She has appeared on stage with Terry Riley, Pauline Oliveros, Bobby Previte, Skerik, Patricia Barber, Elvis Costello, Brandi Carlile, Sir Mix-a-lot, Seattle Repertory Theater, Cafe Nordo, the Seattle Repertory Jazz Orchestra and Seattle Symphony Pops, among others. Kate
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. She has been a guest soloist with Symphony Tacoma and the Bremerton Symphony Orchestra, among others. In the fall of 2001 Ms. Campos founded Lyrica, Ladies Choral Ensemble of Puget Sound. She served as cantor and music director at St. Gabriel Catholic Church in Port Orchard for twenty-nine years. She has been the director of the Bremerton Symphony Chorale since September 2004 and currently sings with Symphony Tacoma Voices. She is a 1981 graduate of Pacific Lutheran University and is a former
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piece or a direction hears the right question and then realizes what to do next. To me a workshop or mentorship doesn’t involve ‘teaching’ or ‘learning’ so much as rediscovering what we already know but may have forgotten, overlooked, or masked. I think we’re all apprentices to our work, and the heart of this relationship lies in the way we choose to be in the world. I want students to interrogate their experiences, trust their sensibilities, and open themselves to the possibilities revealed through
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Degree in organ performance from the New England Conservatory in Boston where he studied with Yuko Hayashi and William Porter. He is the recipient of a Fulbright Scholarship from the Netherlands-America Commission for Educational Exchange. He holds the teaching and performance degrees from the Stedelijk Conservatorium in Arnhem, The Netherlands, where he studied organ with Bert Matter and harpsichord with Cees Rosenhart. He has done extensive research on the organ and harpsichord concertos of Franz
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