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encouraged to attend. The program concludes with Thompson’s keynote address. Sessions addressing a variety of food related issues begin at 11 a.m., Feb. 21. An array of students and faculty, as well a numerous local and national experts, will present on a variety of topics, including how to know what goes into your food, pragmatism and meat production, and food passions. Some of the presenters include, Holly Foster, owner of Zestful Gardens, who will talk about a life in organic farming, Joe Markholt, a

will be broadcast on Christmas Eve as well as Christmas Day in the Greater Seattle and in Oregon television markets. For almost 90 years PLU’s Christmas concerts have served as a touring showcase of PLU’s prestigious music department, featuring performances by the Choir of the West, University Chorale and the University Symphony Orchestra. This year will be the first time the production will be broadcast, thanks to a partnership between PLU and Oregon Public Broadcasting (OPB). Public Broadcasting

make the piece challenging. Clapp and Stage Designer Amanda Sweger have to portray many places on a budget and remain true to the production. “This play is for everyone, young and old alike. If you like a good love story where you know what is going on before the young lovers do… this is for you,” Clapp says. Performances are May 13, 14, 20, and 21, at 7:30pm and May 22, at 2pm. Join us Thursday, May 12 for a student preview, where any student ID will grant free admission. For tickets, visit the

honored at the national conference level through selection and performance at the Kennedy Center in Washington DC. The six PLU students who will perform GIRL POOL in the upcoming Dance 2018: Storytelling performance make up the fourth cast of dancers in the history of the dance piece. Read Previous The party has just begun with Theatre’s production, Love’s Labour’s Lost Read Next PLU Theatre focuses on growth in upcoming Shape of Things LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the

and editor, said while the news media almost exclusively report about water scarcity in developing parts of the world, Tapped Out uncovers serious water challenges in North America. “It’s an attempt to communicate the current status of water and how the developed nations aren’t as prepared as we think that they are,” Scroger said. “We don’t have as much water as we think we do.” During research and production of the film, the students conducted dozens of interviews, meeting with citizens, farmers

granted creative control. “Usually Kathy picks the designs and fabrics, but I have undertaken projects where there were no designs or fabrics,” Schultz said. This really comes down to the scale of the production. Costumes for ‘Macbeth’ hang ready for rehearsals … and then the real performances. For Macbeth, Anderson has optioned dark tones. “There’s lots of blood, lots of killing, but there needs to be some light moments as well,” she says, smiling. “She’s really come alive in this new space,” Schultz

develop skills in decision-making, analysis, communication and reasoning that prepare them for a lifetime of success – both in their careers and in service to others. Read Previous You’ll love “She Loves Me” Read Next Student production disrupts time in new Romeo and Juliet LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for

Salem, Ore., the last weekend of February. Read Previous Student-Director Mitchell Helton Hopes ‘Charlotte’s Web’ Production will help Revitalize Children’s Theatre at PLU Read Next PLU Alumna and Gospel Music Superstar Returns to Campus COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS PLU Director of Athletics and Recreation Mike Snyder named President of NADIIIAA August 16

granted creative control. “Usually Kathy picks the designs and fabrics, but I have undertaken projects where there were no designs or fabrics,” Schultz said. This really comes down to the scale of the production. Costumes for ‘Macbeth’ hang ready for rehearsals … and then the real performances. For Macbeth, Anderson has optioned dark tones. “There’s lots of blood, lots of killing, but there needs to be some light moments as well,” she says, smiling. “She’s really come alive in this new space,” Schultz

develop skills in decision-making, analysis, communication and reasoning that prepare them for a lifetime of success – both in their careers and in service to others. Read Previous You’ll love “She Loves Me” Read Next Student production disrupts time in new Romeo and Juliet LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for