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and uncle sang and performed as a group in the 1940s and were well known in the Hartford, Connecticut area, where she was born, as “The Musical Browns.” Her musical roots come from them. She went on to champion the work of African American composer, Florence Price, and helped lead the way in Black music history studies as a professor in music for decades. Her penchant for service to others was established early, as she was both a loyal Brownie and a Girl Scout. Rae Linda leaves behind a devoted

, music composition theory and conducted the Concert Chorus.  “The music department in those early days was small and my father brought his teaching skills to composition classes, choral conducting and other diverse classes,” Fritts said.  Fritts founded the Paul Fritts & Co. Organ Builders in 1979, and says he has been dedicated to the design and construction of high-quality pipe organs ever since. His company was commissioned by former music professor David Dahl to develop the Lagerquist Hall organ

redistricting cases, stalled by the Supreme Court until Milligan was ruled upon, but now moving forward. Campbell-Harris frequently travels to different parts of the country for depositions, hearings or client intake. As part of challenging Georgia’s 2021 Senate Bill 202 restrictions on absentee voting, changes to early voting access, and new voter ID rules, Campbell-Harris spoke with impacted voters on the ground, visiting Metro Atlanta churches and listening to congregation members. Many had already been

human emotions and the progression of relationships. This year’s guest choreography exposes the relationship between the hunter, the prey and the wolf. Guest choreographer Jessica Zoller explains that the inspiration for her piece Keep them at Bay occurred while listening to an episode of This American Life. The episode discussed infamous American Custer Wolves that terrorized cattle and eluded hunters in the early 1900s. Intrigued by the Custer Wolf, Zoller decided to explore themes of

Accolade Special Mention Award in the Nature / Environment / Wildlife category. In a written statement, Accolade Competition Director Rick Prickett praised “Changing Currents” for both its artistry and thought-provoking content. “Our judges base their decisions on the quality, creativity and technical aspects of each piece,” Prickett said. “The award appropriately reflects the endless hours you and your team have spent to create your outstanding production!” “Changing Currents” was shot over a 14-month