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  • grandmother not come to the U.S. that year. (Photo by John Froschauer/PLU) The Holocaust in the American Literary ImaginationThis year, Professor of English Lisa Marcus will do something different with her class, “The Holocaust in the American Literary Imagination.” Along with readings, literary analysis and the other trappings of a literature course, students will work with historical artifacts from the Holocaust. “To engage in the material,” Marcus said, “I think one has to do other things than just

  • manager mentioned nearly half of those 10,000 troops were African-American, Wells decided it was time to dig into this relatively unknown story. “This really made my ears perk up. I had no knowledge of this history until then,” he said. Wells established a student-faculty research project in investigative journalism and recruited Shannon Schrecengost ’09 to help. The two quickly set to work poring over thousands of documents and conducting hundreds of interviews. All of this was compiled into a film

  • Diversity, Justice, and Sustainability. We aren’t a values-neutral institution, but a place that is intentional about our commitment to these core concerns. And that sets us apart. And Interdisciplinary programs are all about these values–diversity, justice, and sustainability are at the core of what we do, in Global Studies; Chinese Studies; Gender, Sexuality, and Race Studies; Environmental Studies; Innovation Studies; Holocaust and Genocide Studies; Native American and Indigenous Studies. These are

  • people at PLU, about what you would all want hear. The Pacific Northwest has a huge relationship with religion. There are a lot of Native American religions and people who are more eclectic in religion. My interest is people who don’t fit into the typical religious categories. We know people who say, “I’m Christian” or “I’m Muslim.” I’m interested in how people in different religions get along and don’t get along based on their differences and beliefs. I’m really interested in people who don’t fit in

  • ’11 stands beneath a nearly 400 year-old Garry oak tree (Photos by John Froschauer) He thinks about how the dry creek bed once flourished as Clover Creek, with the surrounding vegetation part of a large prairie. The tree that he stands under today was there back then; it is nearly 400 years old. It is native to the area, one of more than 100 Garry oak on  campus, making PLU a preserve of a species native to Pierce County. The open space is an indication of what the entire area once was, Ojala

  • Program Symposium in July. Amgen Scholars will be housed in a Marriott Residence Inn in close proximity to our campus. Sincere thanks to the Amgen Foundation for the generous support of the UT Southwestern Amgen Scholars program. UT Southwestern values the benefits of having a diverse scientific population. We encourage applications from backgrounds historically underrepresented in the sciences (African-American, Hispanic, Native Americans and Pacific Islanders), as well as first generation and

  • Prints,” a solo piece set to original music by composer Ron Fein. Co-director and alumna Tara Holliday showcased her talents with a lyrical dance about crossing over. The performance featured guest choreographer Amy Weaver, co-artistic director of the Weaving Dance Company and a freelance artist, choreographer and teacher. Weaver presented a modern, upbeat number set to the sounds of “Deep Forest” that includes partnering and challenging dance combinations. A Washington native, Weaver moved from

  • Program Symposium in July. Amgen Scholars will be housed in a Marriott Residence Inn in close proximity to our campus. Sincere thanks to the Amgen Foundation for the generous support of the UT Southwestern Amgen Scholars program. UT Southwestern values the benefits of having a diverse scientific population. We encourage applications from backgrounds historically underrepresented in the sciences (African-American, Hispanic, Native Americans and Pacific Islanders), as well as first generation and

  • composed by Music major Melody Coleman, ’17 and was narrated by Communication major Terran Warden ’18. Changing Currents explores the many challenges facing waterways across North America, more than half of which are contaminated and unfit for drinking, fishing or swimming. During production of the film, the researchers conducted dozens of interviews, meeting with average citizens, officials from the U.S. Environmental Protection Agency, water utility experts, members of Native American and Canadian

  • , officials from the U.S. Environmental Protection Agency, water utility experts, members of Native American and Canadian First Nations tribes, and many other public and private organizations. The Emmy nomination adds to several other recognitions received so far by “Changing Currents,” including a First Place Grand Prize from the National Broadcasting Society, six Accolade of Southern California Awards, and a Mercury Design Award for the graphics and branding associated with the film. Since its