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on the part of the U.S. government. He designed the figures with no arms, standing at attention and looking as if they could be placed in a coffin. “I have a small voice as one person, but my voice is somewhat larger with what I contribute as an artist,” McCuistion writes. “Through my work I am able to contribute to the long tradition of the artist as teacher, recorder and seer.” Anne Johnston Schuster is a printmaker who has taught studio art, art history and art education at the junior high
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Yorker, Orion Magazine, Oxford American, PBS NewsHour, Ploughshares, and Poetry Northwest. A recipient of the Anne Halley Poetry Prize, the Dogwood Prize in Poetry, the Porter Fund Literary Prize, a Pushcart Prize, and the Wabash Prize for Poetry, Davis has also been awarded fellowships from Bread Loaf, Cave Canem, the National Endowment for the Arts, the Vermont Studio Center, and the Whiting Foundation for his involvement with The Prison Story Project, which strives to empower incarcerated women
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How I Learned to Drive – a vehicle toward empowerment Posted by: Mandi LeCompte / March 3, 2013 March 3, 2013 How I Learned to Drive, by Paula Vogel, opens March 8 in the Studio Theater of the new Karen Hille Phillips Center for the Performing Arts at Pacific Lutheran University. Often described as one of the most disturbing love stories in theatre, How I Learned to Drive contains issues of pedophilia, incest and misogyny. The audience is urged to examine their relationship with the term
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PLU Theatre focuses on Community in upcoming Godspell Posted by: Mandi LeCompte / February 22, 2017 February 22, 2017 With laughs and exuberance, PLU theatre performs Godspell, the musical based on the gospel according to St. Matthew. The story outlines the journey of Christ as he gathers his disciples and forms a community of faith. Godspell plays March 9, 10, 11, 17 and 18 at 7:30 p.m. and March 19 at 2 p.m at Pacific Lutheran University in the Studio Theater of the Karen Hille Phillips
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at the Tacoma Youth Symphony Association and maintains a large private studio. Her double bass students have placed in the top three at the state level numerous times and frequently win concerto competitions across the region. Prior to teaching at PLU, Dr. Jensen taught at Bowling Green State University.
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. Miho Takekawa was raised in Tokyo and currently resides in Seattle. She teaches at Pacific Lutheran University, where she heads the percussion studio and directs the school’s percussion and steel pan ensembles. During the 2010-2011 school year, she was an interim professor of percussion at the University of Washington School of Music. Miho began piano at age three and took up percussion at thirteen, ultimately graduating from Tokyo’s prestigious Kunitachi School of Music. She earned both Master’s
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. Miho Takekawa was raised in Tokyo and currently resides in Seattle. She teaches at Pacific Lutheran University, where she heads the percussion studio and directs the school’s percussion and steel pan ensembles. During the 2010-2011 school year, she was an interim professor of percussion at the University of Washington School of Music. Miho began piano at age three and took up percussion at thirteen, ultimately graduating from Tokyo’s prestigious Kunitachi School of Music. She earned both Master’s
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August 8, 2012 Construction projects continue apace on upper and lower campus By Barbara Clements Although students may not be on campus to see it yet, a lot is taking place around the construction zones at PLU. Work continues on the Karen Hille Phillips Center for the Performing Arts, as phase two construction begins with the gutting of the auditorium, stage area and the downstairs. When construction is complete in 2013, the center will house a remodeled Eastvold Auditorium, the new Studio
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Rachel Carson Science, Technology & Society Annual Lecture is on March 8 at 7:30 p.m. in PLU’s Scandinavian Cultural Center. PLU dean of natural sciences Matt Smith in the KNKX studio on campus at Pacific Lutheran University. More from DCHAT Dean of Humanities Kevin O’BrienInterim Dean of Education and Kinesiology Terry BergesonSchool of Business Dean Chung-Shing Lee Stay Connected with PLU Audio Subscribe on ItunesFollow on Soundcloud Read Previous ‘Learning from Standing Rock’ event at PLU to
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How I Learned to Drive – a vehicle toward empowerment Posted by: Mandi LeCompte / March 3, 2013 March 3, 2013 How I Learned to Drive, by Paula Vogel, opens March 8 in the Studio Theater of the new Karen Hille Phillips Center for the Performing Arts at Pacific Lutheran University. Often described as one of the most disturbing love stories in theatre, How I Learned to Drive contains issues of pedophilia, incest and misogyny. The audience is urged to examine their relationship with the term
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