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, clinician, adjudicator and orchestral educator. Each year he works with school orchestras at all levels throughout the region and beyond, bringing to them the perspective of his long career as a conductor and scholar. He is a past national president of the College Orchestra Directors Association. Dr. Bell-Hanson has conducted orchestras and wind ensembles throughout the United States and in Bulgaria and the Czech Republic, including the West Bohemian Symphony Orchestra, the Olympia Symphony, the
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Wendy Call Nonfiction Biography Biography Wendy Call (she/her) is the co-editor of the craft anthology Telling True Stories: A Nonfiction Writers’ Guide (Penguin, 2007) and the new annual Best Literary Translations (Deep Vellum, 2024). She wrote No Word for Welcome: The Mexican Village Faces the Global Economy (Nebraska, 2011), winner of the Grub Street Book Prize and International Latino book Award, and the chapbook Tilled Paths Through Wilds of Thought (MBR/K2, 2012). She has translated two
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, Literatures, and Politics.” Paper: “The Christian and the Atheist: Jean Paton and Madalyn Murray O’Hair and How the Stigma of Illegitimacy in the 1950s Radicalized their Lives”, The Claremont Colleges, CA (March 22–25, 2012) Selected Articles "The Sentimentalization of Adoption: A Critical Note On Viviana Zelizer’s Pricing the Priceless Child." Adoption & Culture Vol. 5, forthcoming. "The History of the Law of Adoption in the United States." Bibliography issue, Adoption & Culture Vol. 4, 2014: 32-42. "The
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, bassist Clipper Anderson is one of the most highly regarded musicians on the Northwest jazz scene today. Equally comfortable with straight-ahead, traditional, free jazz or bebop, he plays with genuine reverence for the music and an unassuming mastery that speaks for itself. Clipper has enjoyed a long and distinguished career as a composer, performer, studio musician, vocalist and educator. He plays at jazz festivals throughout the United States and Canada and has appeared at the Port Townsend Jazz
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Lilly Endowment, Incorporated. Across her four-decade career, Killen’s research has focused on Christianity in North America, especially Catholicism, on religion and spirituality in the western United States, particularly the Pacific Northwest, and on church-related higher education. From 2006-2012 she served as editor of the Wiley-Blackwell journal, Teaching Theology and Religion. Since 1999 she has been a workshop leader and consultant for the Wabash Center for Teaching and Learning in Theology
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Century American Literary and Cultural Studies Censorship and Banned Books Accolades Fellow, 2021 Jack and Anita Hess Faculty Seminar on LGBTQ+ Histories of the Holocaust at the United States Holocaust Memorial Museum Fellow for the 19th Annual Summer Institute on the Holocaust and Jewish Civilization, The Holocaust Educational Foundation of Northwestern University, 2014 NWSA Fellow, Civic Engagement in the Women’s and Gender Studies Classroom, 2010-11 Faculty Excellence Award for Teaching, 2009-10
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Biography A specialist in standard classical guitar as well as various early guitars and lutes, Elizabeth C. D. Brown is a very active performer in the United States. Highlights from recent seasons include performing at the Music by Women Festival, performing concertos by Vivaldi and Sierra and premiering a new work for guitar and orchestra with the Seattle Symphony. She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi’s surviving operatic works
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, Accompanying Biography Russian-born pianist Oksana Ezhokina is Coordinator of Keyboard Studies and Associate Professor of Music at Pacific Lutheran University. An artist of great breadth and versatility, she appears frequently as guest recitalist and chamber musician on concert series across the United States and abroad. She has soloed with the Seattle Symphony, St. Petersburg Chamber Philharmonic in Russia, Tacoma Symphony, and performed in venues such as the Phillips Collection in Washington DC, Benaroya
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Orchestra, Tacoma Symphony, Spokane Symphony, Northwest Sinfonietta, and Eugene Symphony with whom she performed the Mater Gloriosa in the Oregon premiere of Mahler’s 8th Symphony. Other favorite roles in the symphonic repertoire include Verdi’s Requiem, Poulenc’s Gloria, Brahms’ Requiem, and Mozart’s Mass in C Minor. Her recent opera roles have been Madame Lidoine in Dialogues of the Carmelites, Donna Anna in Don Giovanni, Lia in Debussy’s L’Enfant Prodigue, Elisabetta in Don Carlo, Countess Almaviva
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and wellness, stewardship for student populations in juvenile detention centers and drug rehabilitation facilities, and creating alongside youth in the foster care system. Their scholarship unpacks how acts of education, maturation, and coming-of-age intersect with theatre and public performance in the early twentieth century United States, and unravels queer readings of teaching and learning as mechanisms of citizen-making in the theatrical past. Rizzardi hopes to use theatre scholarship to
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