Search

Seattle Community Orchestra. A Doctor of Musical Arts candidate in orchestral conducting at Michigan State University, Ms. Mahyar received her MM in orchestral conducting from the University of Massachusetts-Amherst and her BM in choral conducting from Komitas State Conservatory of Yerevan, Armenia. Coming from Iran and one of the very few female conductors from her country, Ms. Mahyar has broad experience working with ensembles at different labels and countries. Her international experience includes

Century American Literary and Cultural Studies Censorship and Banned Books Accolades Fellow, 2021 Jack and Anita Hess Faculty Seminar on LGBTQ+ Histories of the Holocaust at the United States Holocaust Memorial Museum Fellow for the 19th Annual Summer Institute on the Holocaust and Jewish Civilization, The Holocaust Educational Foundation of Northwestern University, 2014 NWSA Fellow, Civic Engagement in the Women’s and Gender Studies Classroom, 2010-11 Faculty Excellence Award for Teaching, 2009-10

, Accompanying Biography Russian-born pianist Oksana Ezhokina is Coordinator of Keyboard Studies and Associate Professor of Music at Pacific Lutheran University. An artist of great breadth and versatility, she appears frequently as guest recitalist and chamber musician on concert series across the United States and abroad. She has soloed with the Seattle Symphony, St. Petersburg Chamber Philharmonic in Russia, Tacoma Symphony, and performed in venues such as the Phillips Collection in Washington DC, Benaroya

Lilly Endowment, Incorporated. Across her four-decade career, Killen’s research has focused on Christianity in North America, especially Catholicism, on religion and spirituality in the western United States, particularly the Pacific Northwest, and on church-related higher education.  From 2006-2012 she served as editor of the Wiley-Blackwell journal, Teaching Theology and Religion.  Since 1999 she has been a workshop leader and consultant for the Wabash Center for Teaching and Learning in Theology

music directing, Amy has led regional honor choirs and coached developing choral conductors from across the Western Hemisphere at the annual Cascade Conducting Workshop in Tacoma, WA. As a true collaborative artist known for her deep insight and “getting inside the conductor’s head,” Amy provides feedback through the special lens of accompanist, singer and conductor combined. She has led pedagogical workshops for choral conductors and collaborative artists regionally and in Canada. Her recent

and wellness, stewardship for student populations in juvenile detention centers and drug rehabilitation facilities, and creating alongside youth in the foster care system. Their scholarship unpacks how acts of education, maturation, and coming-of-age intersect with theatre and public performance in the early twentieth century United States, and unravels queer readings of teaching and learning as mechanisms of citizen-making in the theatrical past. Rizzardi hopes to use theatre scholarship to

project about the history of Christian masculinity in the United States (under contract with Oxford University Press), and is the author of several articles and book chapters on the history of American evangelicalism, including “American Evangelicalism and the Politics of Whiteness“, published in The Christian Century, 2018.

recognition, including awards from the National Band Association, Ithaca College Jazz Composition Contest, Jazz Education Network, and the International Society of Jazz Arrangers and Composers (ISJAC).  Dr. Vianna’s compositions and arrangements have been performed by artists such as Chris Potter, Martha Reeves, Tony Kadleck, Greg Gisbert, Ernie Watts, Danny Gottlieb, Clay Jenkins, Brad Goode, the United States Army Field Band (Jazz Ambassadors), the UNC/Greeley Jazz Festival All-Star Big Band, Chuck

, K. "Mitigating the Violence of Mass Immigration Detention Through Community-Based Case Management" Advances in Social Work Vol 23 No. 2 (2023) Epps, D. & Furman, R., "The 'Alien Other': A Culture of Dehumanizing Immigrants in the United States" Social Work & Society, Vol 14 (2016) Furman, R., Ackerman, A., Sanchez, M. & Epps, D., "Immigration Detention Centers: Implications for Social Work" Smith College Studes in Social Work (2015) Furman, R., Ackerman, A., Negi, N., Jones, S., Loya, M., Epps

professional administrative positions throughout his career, including: Executive Director of the ProMusica Chamber Orchestra of Columbus, Ohio; Executive Director of the Marble Cliff Chamber Players; and Executive Director of the MidAmerica Chamber Music Institute. As a performing artist, Cameron has performed as piano soloist and collaborative chamber musician throughout the United States, Canada, Russia, and the Far East. He is in great demand as a collaborative musician and appears regularly with the