Search

after graduation. “We love making art together, so to end up in the same place, working on the same show, was unbelievable and heartwarming,” Helland said. “It’s a gift.” The original production started rehearsing in November 2011 and premiered in January. The remount of Balagan’s production of Spring Awakening opened on April 20th and closed this summer. Huertas was also cast as Feste in the Seattle Shakespeare Company/Wooden O’s production of Twelfth Night, a role which he also played at PLU under

. Huertas was also cast as Feste in the Seattle Shakespeare Company/Wooden O’s production of Twelfth Night, a role which he also played at PLU under the direction of Brian Desmond. Read Previous Streaming Concerts now a permanent reality Read Next The Choir of the West takes to the road LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in

the idea for the book while they were doing research together at the Folger Shakespeare Library a few years ago. “We were doing some research into handwriting and paleography, but we realized that we both had an interest in consciousness and what it meant to be awake and what it meant to be asleep, and the philosophical implications of that, as they manifested in literature.” Professor Nancy Simpson-Younger Forming Sleep: Representing Consciousness in the English Renaissance CoEdited by Nancy

up-close look at the ceiling of the Sistine Chapel—closer than you could get in person! Flip through first-editions of Galileo, Copernicus, and Shakespeare at the digital Rare Book Room. Experience 6,000 years of history at The Virtual Museum of Iraq.   PLU Resources For help creating a Google Maps or Google Earth tour, set up an Instructional Technology consultation with Jenna Stoeber at itech@plu.edu Read Previous Tips for Streamlining Assignment Workflows Read Next Fraudulent Email and

Jarvis) behavior after a ball at the Uppercross Great House and exclaims “Love me you idiot! Love me or kill me now! I can’t bear it!”. Mary overhears her, and Anne explains it away as a Shakespeare recitation. This shows that Mary is oblivious, but it also complicates the role of Anne’s private conversations with the audience. The scene highlights how the breaking of the fourth wall in Persuasion is merely a gesture. To contrast this, in Fleabag, the Hot Priest (Andrew Scott) is the only one who can

. Also encouraging, the Conference of the Modern Language Association has in the last two years sponsored three panels on animals which might be described as “pro-animal,” that is, which move beyond studies of animal imagery in, say, Shakespeare or Moby Dick.Such conferences are made possible by a wealth of new research on animals in a wide range of fields. For some time, the conversation about human-animal relations has been largely dominated by terms derived from philosophical ethics. Other fields