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The Story Depends on the Teller: Book Arts in the Pacific Northwest opens March 9 Posted by: Mandi LeCompte / March 1, 2016 March 1, 2016 Some books are shipped from Amazon, others are found cataloged in libraries, under beds with lost socks, digitized in e-readers, collecting dust on shelves or housed on nightstands. Other books are labored over, crafted with care, written, printed, drawn, sculpted and bound with artist hands. As part of the 2016 SOAC Focus series on Storytelling, the

. “So that style of radio is very close to my heart.” This fall, Rich is pairing their love of audio storytelling and theatre education to create an independent production of “The War of the Worlds.” Based on the H.G. Wells novel, the show’s themes include colonialism, superstitions and prejudices — topics Rich believes are still prevalent today. “I can’t speak to what H.G. Wells was thinking when he was writing it, but a lot of it is more inwardly reflective,” Rich said. “The Martians coming down

to each other and the Earth, we do to ourselves.  It was a powerful message for the PLU community as we seek to fully embody the inclusive community that we aspire to be.  Read on to learn more about Dr. Finney, her research, her ability to ask tough questions and her remarkable storytelling. The Intersection of Diversity, Justice and Sustainability *Note: All comments are moderated Read Previous Response to NYT article: ‘Is a Degree Still Worth It? Yes, Researchers Say, and the Payoff Is Getting

New to the Library – Popular Fiction Collection Posted by: Julie Babka / May 19, 2022 May 19, 2022 The Mortvedt Library is proud to announce a new addition to our offerings; the Popular Fiction Collection. This collection hopes to encourage exploration through storytelling and contemporary literature, as well as motivate lifelong learning and curiosity. The idea for this collection came from a goal to showcase the library as not only a place for academic research, but also for play and personal

, Davis, will deliver a keynote titled “Humanizing Deportation: Research and Care in the Hérida Abierta,” that features the role of storytelling in healing. Elena Calderón, University of Arizona doctoral student and formerly undocumented person, presents “UndocuJoy in Practice: Healing through Joy, Storytelling and Therapy.” Sharon Suh, professor of theology and religious studies at Seattle University, explores trauma and healing from the perspectives of Buddhism and neuroscience, with attention to

. My work can be viewed individually or as a group to encompass everything that makes up what we like to call, “Luteball”.Sophia Lewis BIO Sophia Lewis is from Federal Way, Washington. She began to dabble in the visual arts only recently starting with painting and sketches. This eventually led to her exploring the three-dimensional art world, which is where she found her true passions. Sophia has always been interested in storytelling. She is fascinated by humanity: the emotions, our interactions

Reflective Viewing: Finding the Divine Within You Posted by: Mandi LeCompte / February 10, 2017 February 10, 2017  February 23 at 6pm Mare Blocker, Lecturer | Ingram 100 • FreeSelected pages from the St. John’s Bible will be used to practice Visio Divina, a contemplative, repetitive, prayerful viewing of the illuminations on the page. In an increasingly visual culture, where the images we view are fast paced, this technique invites the viewer to slow down and see the image. Workshop

February 1, 2008 Conference unites art and religion Artists, musicians and scholars will gather on campus for PLU’s second “Art, Religion and Peace Conference” Feb. 12 and 13.Last held in the spring of 2005, the conference explores ways in which the visual and musical arts of religious communities promote justice and peace.“The arts have been an integral part, and remain an integral part, of religious traditions, both historically and today,” explained religion professor Samuel Torvend. Visual

to a variety of semi-automated processes. By exposing prints to obscure chemicals and the flow of water, using simple machines to create exposures on gelatin silver paper, or twisting paper into dramatic new forms, my work becomes a physical collaboration between myself and the processes themselves. This surrender to external elements allows for the genesis of unique visual decisions which form each one of a kind piece. At the same time, my work is also saturated with deeply personal emotion

visual likenesses. The portrait paintings come from the theft of Johnson’s phone this summer when he realized he still has a very strong connection to these visual likenesses and tried to reclaim the stolen images on the phone as his. “I am trying to reconnect with family and friends on a more personal level again,” Johnson says. “This body of work has helped me to realize this need.” Johnson will showcase approximately 18 works.  The exhibition will combine drawing, painting and small sculpture