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to offer unique visual communications. On Innovation Prof. Halvorson: What is your innovation process? What inspires you to design? Prof. Tsuneoka: I often get visual inspiration from words or phrases rather than any direct visual inspiration. Even though I know the meaning of the phrase, “monkey business”, in my mind, there is a monkey in a suit dancing when I hear these words! Ideas like this motivate me to draw. When I play with words or look for interesting phrases, it’s easier to stimulate

to a variety of semi-automated processes. By exposing prints to obscure chemicals and the flow of water, using simple machines to create exposures on gelatin silver paper, or twisting paper into dramatic new forms, my work becomes a physical collaboration between myself and the processes themselves. This surrender to external elements allows for the genesis of unique visual decisions which form each one of a kind piece. At the same time, my work is also saturated with deeply personal emotion

visual likenesses. The portrait paintings come from the theft of Johnson’s phone this summer when he realized he still has a very strong connection to these visual likenesses and tried to reclaim the stolen images on the phone as his. “I am trying to reconnect with family and friends on a more personal level again,” Johnson says. “This body of work has helped me to realize this need.” Johnson will showcase approximately 18 works.  The exhibition will combine drawing, painting and small sculpture

McCuistion, professor and chair of the Department of art at the University of Puget Sound, shows mixed media ceramics that reference the effects and consequences of war. “The artwork I make is about history, myth, storytelling, religion, relationships, ceremony, civilization and humor. I am interested in the language of gesture, expression, texture, form and color,” McCuistion writes. The sculptures featured are part of his “G.I. Series”, which were inspired by what he felt was disingenuous information

fundamental questions in the Game of Thrones series finale. He then answered his own question: “Stories. There’s nothing in the world more powerful than a good story. Nothing can stop it. No enemy can defeat it.” It was a self-aware line inserted into the show’s conclusion about the program’s biggest strength (and its main concern).The foundations of strong storytelling in this show are due to a balance in discovery and duplication. Game of Thrones set out to explore its milieu in a way that other popular

Auditorium of the Karen Hille Phillips Center for the Performing Arts. Tickets are available online at Eventbrite. $10 – General admission; $5 – 60+, military, alumni and students; free – 18 and younger. Love’s Labour’s Lost is intended for mature audiences due to mild adult content and strong language. Read Previous Remembering Eric Nordholm Read Next Dance celebrates Storytelling in their upcoming performance LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023

Auditorium of the Karen Hille Phillips Center for the Performing Arts. Tickets are available online at Eventbrite. $10 – General admission; $5 – 60+, military, alumni and students; free – 18 and younger. Love’s Labour’s Lost is intended for mature audiences due to mild adult content and strong language. Read Previous Remembering Eric Nordholm Read Next Dance celebrates Storytelling in their upcoming performance LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023

language is an integral part of my artistic and literary practice. I construct works that explore the “text” of textiles. These works evolve along a path in which cloth is a visual and literary medium”. The images included in the show are inspired by specific passages and revelations found in Amontaine Aurora and Kimisha Turner’s work “Reverie and other projects” in combination with Carletta Carrington Wilson’s book arts. In this amazing celebration of a beautiful, strong, tenacious, and inspiring

infuse life with purposeful beauty.” The kitchen inspires ideas for new pieces, a space where her work often ends up being used and held. The end result is a piece that is both beautiful and functional. Her work combines angular lines and soft volumes creating visual contrast. Schwartzkopf uses birds as a starting place, studying stance and expression. The awkward pelican and elegant, buoyant loon are references she meshes with geometric, and architectural elements. On the surfaces of her work, she

Storytelling in their upcoming performance Read Next Broadway Today! a musical revue to open the 2018-19 season LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for Your Virtual Theatre Scholarship Application January 18, 2021