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shared and hopefully appreciated. Writing bears the responsibility to appeal to the linguistic, intellectual and/or emotional pleasures, and to expand the reader’s understanding of the powers and politics of voice, knowledge, and/or identity. I also take mentorship seriously, and my role as an instructor is to motivate and guide students to a place of creativity and reflection, where those students can build on their strengths and improve on their weaknesses. I believe the goal of interacting in a
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Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while
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-Century Gender Studies Vol. 6.2, 2010: "'Sir, It is an Outrage': George Bentley, Robert Black, and the Condition of the Mid-List Author in Victorian Britain." Book History Vol. 10, 2007: "'At All Times Conspicuous as Art': Henry James, Margaret Oliphant, and Resistance to Decadence." Henry James Against the Aesthetic Movement 2006: "Expanding a 'Limited Orbit': Margaret Oliphant, Blackwood's Edinburgh Magazine, and the Development of a Critical Voice." Victorian Periodicals Review Vol. 38.2, 2005: "Of
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Indigenous studies Nordic literature and film Responsibilities Council Member, Native American and Indigenous Studies Association (NAISA). 2017 to present. Selected Presentations Native American and Indigenous Studies Association, These songs of freedom: Matti Aikio, Aagot Vinterbo-Hohr and the aesthetics of Sámi literary survivance, University of Hawai'i, Manoa (May 2016) Society for the Advancement of Scandinavian Study, Unraveling the Master’s Voice: Matti Aikio’s Subversive Turn, New Orleans (May
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pan” de Manane Rodríguez (Uruguay, 2016): memoria, mujeres y barbarie, co-organized by The University of Oregon, Portland State University, and Oregon State University Portland, OR (March 9-11, 2019) XXVIII Annual Meeting of the Association of Gender and Sexuality Studies (AEGS), Memoria(s) y saber(es): una aproximación a tres proyectos museísticos conosureños, Panel Giving Voice to the Voiceless through Narratives of Trauma and Healing, University of Illinois at Chicago (September 27-29, 2018
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pan” de Manane Rodríguez (Uruguay, 2016): memoria, mujeres y barbarie, co-organized by The University of Oregon, Portland State University, and Oregon State University Portland, OR (March 9-11, 2019) XXVIII Annual Meeting of the Association of Gender and Sexuality Studies (AEGS), Memoria(s) y saber(es): una aproximación a tres proyectos museísticos conosureños, Panel Giving Voice to the Voiceless through Narratives of Trauma and Healing, University of Illinois at Chicago (September 27-29, 2018
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