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(Öffentlichkeit: Geschichte eines kritischen Begriffs (The Public Sphere: History of a Critical Concept), Metzler, 2000), and has published articles on Kant’s philosophy, on the legacy of the Enlightenment, on the field of German Studies, and on humanistic pedagogy, as well as on other topics. He is currently working on several book-length projects, as well as a number of articles, on topics ranging from Kant, to the historical relation of private life to ethics, to the legacy of the jazz and blues critic

Elizabeth C. D. Brown Lecturer - Guitar Phone: 253-535-7602 Email: brownec@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Website: http://www.elizabethcdbrown.com/home.html Professional Biography Video Additional Titles/Roles Directs Guitar Orchestra and Guitar Ensemble Directs the PLU Guitar Festival Education B.M., University of Washington B.A., University of Washington Responsibilities Applied Guitar Lessons, Lute Lessons, Teaches Guitar Pedagogy, Guitar and Lute History

process, treating each draft as a space for experimentation, for excess, and for bold choices they might otherwise never make.In the creative writing classroom, I aim to rethink and decenter traditional approaches to the workshop, which structurally privilege a small set of identities and formal approaches. Integrating critical interventions by Arielle Greenberg and Felicia Rose Chavez, I use an alternative workshop pedagogy that engages each writer in shaping the structure of the workshop. This

composer Huntley Beyer’s work, Songs of Illumination. Ms. Milanese grew up in Missoula, Montana, received her Bachelor of Music from the University of Colorado and studied voice with William Eddy of Tacoma, Washington. She has been a member of the voice faculty at Pacific Lutheran University since 2009.

his experience as CEO of PNKLINK, Inc., vice president of ZMD in Dresden, Germany, management consultant with Technology Strategy Consulting, and various management and industry positions with AMI Semiconductor (now On Semiconductor) to inform his scholarly contributions to entrepreneurship pedagogy and collaborative innovation. Dr. Brown has extensive involvement in standard organizations and technologies such as ZigBee, Bluetooth, USB and IrDA that rely on collaborative innovation for success

in Le Nozze di Figaro, and Konstanze in Mozart’s Abduction from the Seraglio. Her recordings are available on Naxos, Albany, and the Elmgrove labels. She has been a member of the adjunct voice faculty at Pacific Lutheran University since 1989 and has been master class clinician for the Summer Opera Workshop since its beginning. She has assisted with other projects at PLU such as scholarship auditions, recruitment efforts, and search committee service. She served for the second time as a judge for

Kitsap Opera. Besides his work in the theater, Dr. Guhr is also active on the concert and recital stage, and can be heard on the soundtracks of many video games. Dr. Guhr has an MM in Music History from Kansas State University and a DMA in Voice from the University of Washington. He is currently on the voice faculty of Pacific Lutheran University and the Tacoma Music Academy.

LeeAnne Campos Lecturer Phone: 253-535-7602 Email: camposla@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education B.M., Vocal Performance, Pacific Lutheran University, 1981 Responsibilities Applied Voice Lessons Biography LeeAnne Campos began her music career at the age of seven in Munich, Germany, playing the role of a Siamese boy in a professional production of Rodgers & Hammerstein’s The King and I. A past regional finalist in the Metropolitan Opera

– one-shot 3-hour sessions, weekend retreats, and semester-long creative writing classes.  Sometimes students come into a workshop simply wanting a push, sometimes they need help finding their voices.  Everyone talks about ‘finding a voice,’ as if we all knew what this means.  We don’t.  I don’t.  What I can do in a workshop is to help students allow themselves to be clumsy, foolish, and sometimes nuts in their writing, while loosely hanging onto the reins.  What are the reins?  I don’t know that

methods courses. Dr. Powell formerly maintained an active schedule as a clinician and adjudicator worldwide conducting groups from San Francisco, California to Riyadh, Saudi Arabia. He enjoys producing recordings, is a contributing author for the immensely popular textbook series Teaching Music Through Performance in Band, by GIA Publications, and is published in the NBA Journal, Voice Magazine and the Journal of Band Research.