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pocket knife and they go out into the woods and produce art.” The MacGyver reference, of course, is a lighthearted nod to the late-’80s action-adventure television show in which a secret-agent solves complex technical problems with everyday materials – items like a Swiss Army knife, duct tape and a few bent coat-hangers. Clapp considered this high praise. He still does. “PLU theater students are practiced in being very creative,” he said, “because that’s about as technologically savvy as that

pocket knife and they go out into the woods and produce art.” The MacGyver reference, of course, is a lighthearted nod to the late-’80s action-adventure television show in which a secret-agent solves complex technical problems with everyday materials – items like a Swiss Army knife, duct tape and a few bent coat-hangers. Clapp considered this high praise. He still does. “PLU theater students are practiced in being very creative,” he said, “because that’s about as technologically savvy as that

convincing. He pivoted, disappearing into the market crowd. Bergman wondered if he would come back. But he did, in his car. He flipped open the lid, and there were 25 parrots, stuffed in grocery sacks. Available to anyone who would pay. Bergman, who was working for Audubon Magazine on illegal bird trafficking, also happened to be helping out the U.S. Customs agents, who confiscated the birds and arrested the man. But as Bergman pointed out, this small sting didn’t even make a dent in the 150,000 parrots

January 12, 2011 Todd Sheridan Perry ’92 worked on many of the Gollum scenes in the second Lord of the Rings movie. How Todd Sheridan rose from PLU to become one of Hollywood’s most successful special effects wizards By Barbara Clements Remember the scene in the “The Lord of the Rings – Two Towers,” where outraged forest guardians, called Ents, descend on the tower where the evil wizard is trapped? The walking, talking and very large trees tear down a dam, and floodwaters surge into the valley

techniques pioneered by the team, and bring together researchers with diverse capabilities, strong accomplishments, and a record of collaboration. Additional Summer Research Fellows in related areas will also be available. During the program, all REU students will also be involved in workshops, visits to local industry, recreational activities, a symposium of presentations by students, and other activities. It will include training in: laboratory practices and safety; shared materials characterization

August 11, 2008 Modern space Throughout the summer, construction has progressed steadily on the Martin J. Neeb Center, KPLU’s new headquarters on lower campus. The 13,000-square-foot building, named for the station’s longtime general manager, will more than double the size of the station’s current home in Eastvold Hall. There, the jazz and National Public Radio affiliate has housed its main studios, jazz collection and administrative offices for 40 years. Eastvold’s studios are out-of-date and

How I Learned to Drive – a vehicle toward empowerment Posted by: Mandi LeCompte / March 3, 2013 March 3, 2013 How I Learned to Drive, by Paula Vogel, opens March 8 in the Studio Theater of the new Karen Hille Phillips Center for the Performing Arts at Pacific Lutheran University. Often described as one of the most disturbing love stories in theatre, How I Learned to Drive contains issues of pedophilia, incest and misogyny. The audience is urged to examine their relationship with the term

How I Learned to Drive – a vehicle toward empowerment Posted by: Mandi LeCompte / March 3, 2013 March 3, 2013 How I Learned to Drive, by Paula Vogel, opens March 8 in the Studio Theater of the new Karen Hille Phillips Center for the Performing Arts at Pacific Lutheran University. Often described as one of the most disturbing love stories in theatre, How I Learned to Drive contains issues of pedophilia, incest and misogyny. The audience is urged to examine their relationship with the term

March 14, 2008 Civil War love letter inspires wind ensemble As the story goes, Maj. Sullivan Ballou was like most men in the Northern army at the start of the Civil War. He fought not to end slavery, but to preserve the Union. At 32, Ballou had a promising career as a lawyer, a wife and two sons. An ardent Republican and devoted supporter of Abraham Lincoln, he volunteered in the spring of 1861. Ballou and his men left Providence, R.I., for Washington, D.C., on June 19. Ballou wrote a letter to

April 11, 2011 Branding PLU’s Hebrew Idol By Chris Albert In its fourth season, Antonios Finitsis says the show just keeps on growing. This year, Finitsis, assistant professor of religion, worked closely with the Digital Media Center’s Nick Butler to revamp the Hebrew Idol logo. PLU’s Hebrew Idol is in its fourth year. This year’s finalists are “Absalom: True Confessions,” “Samson: With a Hero like this Who Needs Villians?,” and “Jephthah’s Daughter.” “I kept thinking I had to be more