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, (csgreen@purdue.edu) to discuss any questions you may have. If you’re ready to apply, find out more information about our application process, including deadlines, at https://engineering.purdue.edu/ChE/academics/graduate/masters/how-to-apply. Boiler Up!   William R. Clark, M.D. Professor of Engineering Practice Director, Professional Master’s Program Davidson School of Chemical Engineering Purdue University Read Previous HOW TO APPLY TO & SUCCEED IN GRADUATE SCHOOL Read Next Amgen Scholars Summer

Resident Assistant Professor Craig Cornwall manages the inking tent, carefully prepping huge 3’ x 3’ linoleum plates. The inked plates are then laid on the ground, covered with paper and blankets, then “printed” with a steamroller. The process is repeated nearly 50 times a day during the event. In addition to The Art of Wayzgoose exhibition, on March 15 more than 70 Art of the Book Symposium attendees will hear presentations by Jessica Spring and Northwest artists Chandler O’Leary, Susan Collard

see all their favorite mediums: ceramics, sculpture and painting, to photography and graphic design. “One of the great things about the work students have done is they’re really trying to push their mediums, think outside the box, and convey their artistic vision in really beautiful and unique ways,” Kate Miller ’12, BA student says. The entire process for this University Gallery show is like no other show this season. The exhibition is student driven from the advertising and catering to

opportunity to see what great printmaking is being accomplished all over the country and connecting the Pacific Northwest to the larger printmaking community of the nation.” Printmaking encompasses etching, lithography, relief and serigraph works, and it is unique in that it requires a matrix before the artwork can be produced. Because of this matrix, printmaking is part craft, part sculpture, part drawing and a lot of process and experience. Etching requires a metal plate, lithography typically requires

interdisciplinary in nature, combining new and old technologies, creative writing, carving, illustration, sculpture and textiles. Mare Blocker describes her process: “I find the papers I want to use, decide if it will be a limited edition or one of a kind piece, pick out a typeface, and/or carve blocks. Maybe it’s letterpress printed and maybe it’s printed in a more contemporary fashion; the text and content usually decide the methods the artist uses,” Blocker details. “After printing, the binding and finishing

I am going to take exams. I decided to enroll in a Coursera course, Moralities of Everyday Life, created by a Yale psychology professor I had previously seen in TedTalks videos.  The enrollment process was simple and required just my name and email information.  I was given the option to purchase the “verified certificate” track for $50.  This service, called Signature Track, uses typing patterns with facial recognition to confirm a student’s identity.   Since it’s my first experience with a

for these upgrades actually began in the fall of 2012. Under increasing demands for recording and streaming events, Travis Pagel (photo-left) and I (photo-right) met to discuss goals for a system upgrade. Because most events are supported by student technicians, increasing ease of use was at the forefront of our plans. The decision to switch to the Pro Tools software on the Macintosh was adopted early-on for it’s durability and simplicity. To streamline the recording process, analog CD recorders

record 975 artists applied for the awards. Both Senn, virtual reference services librarian, and Youtz, professor of music, received the maximum award of $1,500. A visual artist, Senn uses discarded library books to make sculptures and installations that explore the lifecycle of ideas. It’s an organic, non-linear process, she explains, where thoughts are born, disseminated, and then adopted or forgotten. She finds inspiration in the natural world, from the variety of books she finds and in her work as

transfer students includes checking out the transfer requirements carefully, and look at picking colleges early in the admittable process. He also stressed that “it’s never too late to go back to school.” Don’t let your age be a deterrent, he stressed. “I wondered if I’d fit in, and this place has been most welcoming,” he said, adding that he lives in Kriedler Hall, which is mostly filled with upper classmen and older students. The financial aid and counselors at PLU were terrific, he said. “The

, who was one of the first people to coin to term compassion fatigue. They are also scheduled to tour North America in June for three weeks, with a stop in Ontario for a compassion fatigue conference. Scaff said World Vision plans to use the film as a way to educate volunteers and employees about the condition, and the local PBS station has also expressed interest in featuring a behind the scenes look at the student documentary filming process. MediaLab has produced a number of award-winning