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vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

institution. The list will include all classes that have been reviewed and determined to be transferable or not. To further limit your results to only include specific classes, use the check boxes left of the transfer class information. This will allow you to produce a personalized list on a new page. Click the envelope icon to email this personalized list to yourself or anyone else. View GenEd Attributes   View Subjects PLU Interactive Equivalency Guide Adams State College (Alamosa, CO) Adirondack

contemporary and classical genres of creative media, such as television, narrative and non-narrative film, advertising, PR, marketing and promotional campaigns to explore meanings, values and the ways in which media have become major parts of human existence, experience and expression globally. Reflecting ongoing developments in media, the course also provides an overview of the languages of creative media, exploring topics such as: fundamentals of scriptwriting, cinematography, editing, the soundtrack