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of choral music published by Morningstar Music Publishers. Cherwien is a founding member of the Association of Lutheran Church Musicians and has served in its leadership in a variety of capacities, including as National President. He is a member of the American Choral Director’s Association, American Guild of Organists, Chorus America, and Choristers Guild. NLCA BioCherwien holds the Doctor of Musical Arts degree in organ performance and the Master of Arts degree in Theory and Composition from

Analysis sequence now includes the study of jazz theory. Students are introduced to jazz chord/scale relationship, chord extensions, melodic construction, and essential elements of modal and tonal jazz harmony. The course also includes score analysis of jazz standards from different periods and styles. Instructor: Dr. Cassio Vianna, co-taught with Dr. Greg Youtz Private Jazz Composition and Arranging Instruction: Private instruction is available for jazz composition and arranging. Compositions and

Dr. Gina Gillie's Bio Dr. Gina Gillie is an Associate Professor of Music at Pacific Lutheran University where she teaches horn, composition, and aural skills, conducts a horn choir, and performs frequently with faculty groups and in solo and chamber recitals. As an orchestral player, she played Assistant Principal with Symphony Tacoma for 10 years and has also played with the Northwest Sinfonietta, the Seattle Soundtrack Orchestra, and the Auburn Symphony. She has soloed on natural horn with

Areas of Study Brass Euphonium French Horn Trombone Trumpet Tuba Composition Guitar Harp Jazz Studies Music Education Music History and Theory Organ and Harpsichord Percussion Piano Strings Voice Woodwinds Bassoon Clarinet Flute Oboe Saxophone

Achievements and Accomplishments Amy Siegesmund, Professor of Biology, receives national teaching award More Information Gina Gillie, Professor of Music, premiers her first electroacoustic music composition at Seattle Symphony’s Octave 9. Titled “Pale Blue Dot for solo horn and fixed media” More Information The Office of the Provost welcomes and celebrates the achievements and accomplishments made of faculty through engagement with students, academic communities and the world.Faculty Excellence

Semester and Assessment Jury Rubric, Composition (pdf) view download

PLU’s Diversity, Justice and Sustainability program for travel to the Philippines, was premiered in May 2017 to critical acclaim. Cara not only wrote and facilitated the grant, but conducted the research, wrote the documentary script, shot the footage, and edited the final project. Emilio Gonzalez: BM in Composition Emilio was chosen to write the student orchestra composition in Spring 2016 and premiered his work “Obsession” with the PLU Symphony Orchestra. In Fall 2016, his composition “El

Course Title CHIN 301 Composition and Conversation - IT, GE CHIN 302 Composition and Conversation - IT, GE CHIN 371 Chinese Literature in Translation - IT, GE COMA 303 Gender and Communication - IT COMA 304 Intercultural Communication - IT, GE ENGL 213 Topics in Literature: Themes and Authors - IT ENGL 214 Introduction to Major Literary Genres - IT ENGL 216 Topics in Literature - IT, GE ENGL 217 Topics in Literature - IT, GE ENGL 232 Women's Literature - IT, GE ENGL 234 Environmental Literature

: Bachelor in Music Composition “Since graduation, I’ve moved to Ohio to start graduate school. I am currently at Bowling Green State University, where I have started my Master’s in music composition. Besides my own studies, as a teaching assistant I’ve started working with nearly 130 students in a couple world music classes. School has just begun and I’m starting to get busy, but everything is going well so far!” Jenny Kimura ’17: BFA Studio Arts, Minor in Printing and Publishing Arts, Minor in Latin

heritage of the Pacific Northwest to create commercial printing products.” Another notable item in the collection is the iron Washington Hand Press, produced by Samuel Rust in 1821. It was restored by WCP’s curator, John DeNure, and local letterpress expert and wood engraver, Carl Montford. It was the last style of hand press made in the United States. Another prize of the collection includes a bevy of ornaments and borders used in composition. The collection features an assortment of “catchwords