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quality must be at a level befitting a good public performance. HORN BM A 30-minute (minimum) recital consisting of at least 3 contrasting pieces from a range of musical eras. Instrumental assessments and recitals in the BM may not repeat repertoire from previous assessments and recitals. Performance quality must be at a pre-professional level: one or two years away from achieving a graduate school level of tone, phrasing, endurance, range, articulation, technique, facility, etc. Understanding of
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Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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Memories LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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College, MIT, and Harvard. Read Previous New Director of Jazz Studies, Cassio Vianna Read Next PLU Trumpet Ensemble live on KING-FM LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed
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, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ Studies and Performance January 29, 2024 PLU’s Weathermon Jazz Festival to Feature Acclaimed Musician Aubrey Logan February 28, 2023 Horn & Fixed Media Premiere at Octave 9 in Seattle October 5, 2022
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Danielle Lemieux Lecturer - Horn Full Profile 253-535-7602 lemieudj@plu.edu * Part-time
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/uploads/sites/86/2014/09/vivace.mp3" }); }, preload: "auto", cssSelectorAncestor: "#player-2348", swfPath: "/wp-content/themes/plu/library/js/jplayer/jquery.jplayer.swf", supplied: "mp3", useStateClassSkin: true, autoBlur: false, smoothPlayBar: true, keyEnabled: true, remainingDuration: true, volume: 1 }); }); Flute Choir at PLU, Wednesday, Oct. 12, 2016. PLU Flutists performing in the State Capitol Building Flute Ensemble Recordings Renaissance for a New Millennium ( )Ricky Lombardo Update Required
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down and pull it out.” Or not. Joyner and others say that sometimes the ideas and notes elbow each other to get out of their heads and onto the page. Joyner once recalls writing an entire piece in 45 minutes. Some composers work from a small collection of notes to a larger piece or, like Youtz, have entire orchestral pieces start playing in their head. About 15 years ago, a colleague asked Richard Nance, director of choral activities, to write something for a Puyallup choir at Christmas. The
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