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ART Studio Arts BA 4-year plan (pdf) view download
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ART Studio Arts BA 4-year plan (pdf) view download
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ART Studio Arts BA 4-year plan (pdf) view download
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ART Studio Arts BA 4-year plan (pdf) view download
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ART Studio Arts BA 4-year plan (pdf) view download
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ART Studio Arts BA 4-year plan (pdf) view download
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Martin J. Neeb Center home of KPLU. Korsmo Construction, well established locally with 65 years of experience behind the name, has been responsible for such projects as the Henry M. Jackson Visitor’s Center at Mt. Rainier National Park and the Martin J. Neeb Center and Studio Theater at PLU. “It was a real privilege building a building knowing it would be named for Martin, and to be able to build that building on campus,” Korsmo said. Korsmo and his company have received numerous awards, including
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seems to be, everything. Just last month, Hobson acknowledged he will be artistic director of Seattle’s Balagan Theatre in the Capitol Hill neighborhood. Hobson will also star in the Balagan’s first show of the season: Les Miserables, http://www.youtube.com/watch?v=tcmxjmnKK-w which will begin its run in September. Hobson also hopes to use his New York City ties to bring some off-Broadway productions to the Seattle theater. “Here we go, fingers crossed,” he said in a recent interview at the Studio
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program. Students learned about the editorial process from both sides, as Ligon compared the experience of having his work edited, with serving as editor for others’ fiction. Since there are few recent textbooks about editing, Ligon’s visit offered a unique learning experience. For Introduction to Writing Poetry and Fiction, also in Spring 2016, my students read Arisa White’s poetry collection Hurrah’s Nest (Virtual Arts Collective, 2012). We spoke with Arisa White from her writer’s studio in Oakland
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collaborative. “I like to have a plan, but I like to also completely let that plan go once I enter the studio if something interesting emerges out of the rehearsal process,” Peters said. “This, at times, can seem random to the dancers, so they have to have an immense amount of trust that something more concrete will evolve.” Peters has been choreographing professionally for 10 years and is on faculty at Dance Fremont, Cornish College of the Arts, Cornish Preparatory Dance and the University of Washington
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