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when folks interacted with me, and that’s why I learned English so quickly and had as many leadership positions as possible,” Kim said. “I didn’t want anyone to doubt that I was an American.” When President Obama announced DACA in 2012, Kim remembered exactly how he felt. “It was exhilarating,” Kim said. “It gave me a new possibility that I could actually stay here, for a little while longer at least, without the fear of getting deported.” He immediately applied and helped his two brothers and

actor, Cole Sand, who has starred on Disney Channel’s “Austin & Ally” and NBC’s “Parenthood.” When Sand returned to reshoot a selection of scenes for the film, he sported a new haircut he received for another, separate role. He returned to the “All the Marbles” set looking considerably different from footage shot before, requiring the crew to match his hair to earlier footage using hair pieces. The crew also ran into a filming permit issue that left them scrambling to capture some of the final

have every year for 21 of the past 23 years. The faces of the Pacific Lutheran University students who filed into the store were new, but that didn’t matter. “Are you guys PLU?” someone asked. “Where’s Dave?” David Huelsbeck, professor of anthropology at PLU, says the greeting from the Makah tribe stays the same, even as the students enrolled in his January Term course change: “Welcome back to Neah Bay.” Huelsbeck has brought a small group of students to the furthermost tip of the Olympic Peninsula

As a shy kid growing up, Tom Smith’s mother recommended he take an acting class in junior high to help get out of his shell. From there, everything changed. “I had one of those teachers people talk about — a theatre teacher who made that class so amazing and wonderful and inspirational that it completely changed the course of my life,” said Tom Smith, the new artistic director of theatre at Pacific Lutheran University. “She saw something in me that I didn’t see myself.  She was amazing and got

By Mandi LeCompte The combined Elliott Press and the Thorniley Collection of Antique Type at PLU now makes up the largest collection of printing equipment in the Pacific Northwest, both in size and variety of type styles and eras represented. Last spring, with the tiniest pica of type to the large, iron 19th century hand press, the Thorniley Collection from WCP Solutions (formerly West Coast Paper) found a new home at PLU, adding more than 1,000 fonts, 40 type cabinets, five presses, antique